Best Director

Mare Trevathan Philpott directed Waiting for Godot with an immediacy and clarity of vision that cleared away the crust of time, fashion, opinion and academic analysis to let us see the play’s bones — and what a solid, extraordinary pattern they made. She brought a sophisticated sensibility to the fifty-year-old script, and everything about the production came together. The set and costumes were clean and defined, the on-stage groupings were carefully composed, and — most important — Philpott won first-rate performances from a group of excellent actors.