If you want to know what Ong-Bak: The Thai Warrior is all about, it’s pretty easy to sum up. It starts with a big fight, as a group of local villagers plays capture the flag in the branches of a large tree. Then there’s a brief stretch of plot, as…

Bride and Prejudice is the third major American film in the past few years to fuse the epic romantic musical stylings of Indian “Bollywood” movies with more Westernized, “Hollywood” elements. It’s also the most successful of them, but when the only significant competition has been The Guru and Bollywood/Hollywood, that…

If you can make it past the first ten minutes or so of Hide and Seek without busting up laughing, chances are that you’ve never seen a horror movie before in your life. This hack job of a “thriller” may steal from the best, but it does it so badly…

You have to hand it to Sean Penn. Okay, you don’t absolutely have to, and if you’re a red-stater through and through, you certainly won’t want to — but give him some credit. After being pilloried in the press for visiting Iraq under Saddam’s reign, torn apart by housecats in…

While Michael Moore and Mel Gibson garnered most of this year’s critical attention, plenty of fine films opened to little or no fanfare. Following are our reviewers’ favorite movies that didn’t draw the adulation they deserved. Consider yourself armed for the next trip to Blockbuster. Control Room. In a year…

The Gospel According to Mel Who needs studio publicists when every fundamentalist pastor in the country is herding his flock to the multiplex? Why waste good money on TV spots when the Vatican is handing out rave reviews? No doubt about it, Thomas, Mel Gibson’s The Passion of the Christ…

Our best movies of the year may actually have been anything but the best to a few of our critics: Such is the dilemma of offering employment to writers of dissenting opinion. In other words, the No. 1 film of 2004 wasn’t universally heralded by our team of Bill Gallo,…

This much can be said for the movie version of Lemony Snicket’s A Series of Unfortunate Events: Its villain, Count Olaf, just might be Jim Carrey’s finest screen role. A bitter, would-be master thespian who delights in donning ridiculous disguises and adopting funny accents, he doesn’t seem that far removed…

Those familiar with the films of David Gordon Green (George Washington, All the Real Girls) probably have one big question about his latest feature, Undertow: Is there more of a story this time? The answer isŠsort of. Green, who favors meditative, meandering portraits and is often compared to Terrence Malick…

If you’ve already decided to see Ocean’s Twelve, it’s probably best not to read much about it. Unlike its predecessor, a remake that clung to a hoary heist formula, the sequel contains ample pleasures, most of which amuse as the result of surprises both great and small. There’s no one…

It’s the biopic of the year: Christian Bale is cadaverous industrial rocker Trent Reznor, prone to temper tantrums, brooding, inhabiting colorless environments and keeping your parents awake all night as he fronts the alterna-heavy-metal band known as Nine Inch Nails. Oh, wait…that’s not quite right. Christian Bale is, in fact,…

Most articles written about The Polar Express have focused on its groundbreaking technology, which takes the process used to create Gollum in The Lord of the Rings one step further. Much as Andy Serkis’s performance was digitally mapped and reproduced via CGI, so, too, is Tom Hanks computer generated here…

It takes mighty big stones to name your horror movie Saw, knowing full well that that’s popular fan-slang for Tobe Hooper’s Texas Chainsaw Massacre, a movie worshiped by gorehounds worldwide. When you take that name for your own, you had damn well better deliver a memorable, worthy contender to the…

According to the press notes, the title character of Gozu is “a demon said to exist in hell. It has the head of a cow and body of human .” Director Takashi Miike says he got this information from an authoritative Japanese dictionary, but it isn’t necessary to know the…

Ash is feeling a little bit under the weather, so I’ll be taking charge.” So says Shaun (Simon Pegg) to his valiant crew of appliance salespeople, but if you don’t get the real meaning, you’re probably not part of the target audience for Shaun of the Dead. Ash, for the…

If Ghost in the Shell 2: Innocence were a live-action sequel, there would be a lot of gossip about star histrionics, creative conflicts and so forth. Since the original Ghost in the Shell, first released nearly ten years ago, made an anime icon out of its star, the frequently nude…

It should go without saying that when one goes to see a movie about giant killer snakes, the main point of the whole endeavor is to watch people get eaten by giant killer snakes. Hardly rocket science, that. But while Anacondas: The Hunt for the Blood Orchid does feature a…

Although most people in the moviegoing universe by now know the differences between an “Alien” and a “Predator,” putting the two beasties together in one movie really ought to necessitate more specific species names for each, since both are technically aliens and predators (they’re from outer space and they hunt…

If you’re wondering how Hollywood could possibly adapt Isaac Asimov’s I, Robot, a collection of similarly themed short stories bound together by the most slender of common threads, the answer is that it didn’t. The credits for I, Robot read “suggested by Isaac Asimov’s book,” but the canny sci-fi fan…

Everyone loves tigers, save perhaps for those actually being mauled to death by them. Men like ’em because they’re wild beasts; women like ’em ’cause they’re big kitty cats. So whatever your point of interest, Two Brothers, starring a pair of tigers named Kumal and Sangha, is the perfect date…

It’s often a challenge to fairly assess a film that, by its very conception, is simply targeted to an entirely different demographic than one’s own. I am not by nature romantic, or female; for those who are, it may have to suffice that the mostly double-X-chromosomed crowd watching The Notebook…

It’s one of the oldest stories in cinema, and possibly in the history of storytelling: A man is kidnapped by a baddie wielding a deadly weapon. His family waits at home to hear word while law-enforcement types try to figure out what’s going on. A plan is developed to deal…