Review: Caleb Hahne Goes Beyond the Pale at Rule Gallery

The Rule Gallery is presenting a handsome solo, Beyond the Veil, by emerging artist Caleb Hahne, whose style combines realism and abstraction in a conceptual way. Every painting in the exhibit — whether a small portrait or a larger figure study — is anchored by a realistic passage done in…

Review: Solos Inspired by Chemistry, Junk and Geometry at Spark

More than any other Denver co-op, Spark Gallery has held onto its members, some for decades. So it’s no surprise to find the two main rooms occupied by a pair of artists who are longtime members and veterans of the alternative scene: In the west gallery, there’s Sue Simon’s Anxiety, and…

Denver Is Drowning in Awful Architecture: Here Are the Hateful Eight

Denver is changing rapidly. Some of the changes have been good: the burgeoning art scene, the museum-building boom, the explosion in restaurants and the whole Napa-of-craft-beer thing, not to mention legalized marijuana. But there have also been some bad changes: the terrible traffic, the litter and pet waste everywhere, the…

Review: Four Impressive Solos at MCA Denver

The spring offerings at the Museum of Contemporary Art Denver cover a lot of ground, with four impressive solos on view right now. Occupying the spaces on the main floor is Arnie Svenson: The Neighbors, a body of color photos depicting the New York artist’s neighbors as seen through their…

Tim Schwartz Creates Art from Kindle Screens in Escapism at Leon Gallery

Escapism, now up at Leon Gallery, features recent pieces by Tim Schwartz, an up-and-coming L.A.-based artist. At first glance, the works in the show look like neo-minimalist abstracts, but upon closer examination, it’s apparent that they are actually depictions of nature. The dark rectangles that make up the extremely spare constructivist…

Review: Tracy and Sushe Felix Share Land Rhythms at Havu

Since the late ’80s, husband-and-wife artists Tracy Felix and Sushe Felix, who share Land Rhythms at William Havu Gallery, have followed different, if thoroughly intertwined, aesthetic paths. For many years, they’ve both been interested in conveying the Western landscape in non-traditional ways, though their individual works are clearly distinct. Tracy’s…

Will the Kirkland Museum Be the Best New Building of 2017?

The Best of Denver 2016 just hit the streets, but we already have a contender for the Best New Building in 2017… The Kirkland Museum, one of the city’s most beloved art institutions, will be closing its Capitol Hill home at 1311 Pearl Street on May 1 and will reopen…

Review: Ink Masters at Space Gallery

In its first iteration, in 2014, Mo’Print, a biennial convergence of printmaking events organized by the Invisible Museum, had a gravitational center at the McNichols Building, where a riveting survey of Denver’s own Open Press was presented. This year, with McNichols closed for remodeling, there isn’t a flagship venue —…

Review: Two Solo Shows Make Connections at Michael Warren Contemporary

The large spaces at Michael Warren Contemporary are extremely flexible, with lots of moveable walls that allow director Michael McClung to present different exhibits simultaneously. Right now the gallery has two interesting solos, both featuring the work of Colorado artists, with one in the large set of front spaces, and…

Review: Monumental Brings Rack and Ruin to RedLine’s “R/Evolution”

Every year, RedLine gallery and studios establishes a theme that it carries out with its shows and through its educational and social-services components. This year’s theme is “R/Evolution” — a simultaneity of revolution and evolution — and the current show, located in the capacious exhibition rooms, is Monumental. Dedicated to…

CVA Votes for Political Satire and Caricatures, Both Old and New

When I think of the Center for Visual Arts, Metropolitan State University’s off-campus art center, I think of contemporary art because that’s what’s typically shown there. So I was surprised to find the place decked out, in part, in James Gillray’s hand-colored etchings from the late 18th and early 19th…

Art Review: Nicole Banowetz Infests Pirate With Inflated Fabric

Over the past several years, Denver artist Nicole Banowetz has been getting attention because of the unusual medium she employs: inflated cloth. Banowetz is a member of the Pirate co-op, and her work is the subject of Gentle Infestation, now on display at the gallery. While the exhibit marks the…