Mo’Print, the Month of Printmaking, is winding down, and although the centerpiece is the Open Press show at the McNichols Building, there have been dozens of other events focused on printmaking up and down the Front Range. Among the ones that I’ve checked out are the two on view at…
Critical Focus: Ian Fisher. This show, located in the informal Whole Room at MCA Denver, is made up of a group of mostly monumental paintings of the sky. It’s the type of thing that has become the artist’s signature. Though Fisher begins with photographs of clouds used as studies, the…
Critical Focus: Ian Fisher. This show, located in the informal Whole Room at MCA Denver, is made up of a group of mostly monumental paintings of the sky. It’s the type of thing that has become the artist’s signature. Though Fisher begins with photographs of clouds used as studies, the…
For the past several years, a pair of alternating biennials have been presented in the month of March (though the shows and events associated with them often start in February and end in April). In odd-numbered years, there’s the well-established Month of Photography, and in even-numbered years, like 2014, there’s…
Anyone visiting the William Havu Gallery right now will be thinking about constructivism — or at least the idea of making things through the assembly of rectilinear shapes — even before they get to the building and the exhibit inside. That’s because of the construction site right across the street…
Critical Focus: Ian Fisher. This show, located in the informal Whole Room at MCA Denver, is made up of a group of mostly monumental paintings of the sky. It’s the type of thing that has become the artist’s signature. Though Fisher begins with photographs of clouds used as studies, the…
Joel Swanson: Left to Right, Top to Bottom is currently occupying the main level at MCA Denver. The smart, elegant solo features work by Swanson, a Denver artist and director of the Technology, Arts & Media Program at the University of Colorado at Boulder. It represents a career high point…
Be a Cloud not a Grid. Vertigo Art Space owner Kara Duncan invited well-known Denver artist Theresa Anderson to curate a show, which resulted in Be a Cloud not a Grid. And although Vertigo is fairly compact, the show’s charisma makes it look bigger than it is. Anderson’s selections are…
Romantic Overgrowth, an interesting and unusual solo at Plus Gallery, showcases work done over the past few years by Melissa Furness, who teaches at the University of Colorado Denver. The show could be seen as a single installation, as Furness orchestrates the same elements throughout: paintings (both her own and…
Be a Cloud not a Grid. Vertigo Art Space owner Kara Duncan invited well-known Denver artist Theresa Anderson to curate a show, which resulted in Be a Cloud not a Grid. And although Vertigo is fairly compact, the show’s charisma makes it look bigger than it is. Anderson’s selections are…
In the last decades of the twentieth century, conceptualism was on the upswing in the wake of pop art and minimalism, both of which have big conceptual components. The cutting-edge work of the ’80s and ’90s was heavy with narrative, and artists often chose representational approaches to tell their stories…
Gayle Crites and Andrew Beckham. As she usually does, Tina Goodwin has paired a couple of solos at her namesake gallery, with one in the larger front space and the other in the smaller corridor in back. At first glance, Gayle Crites: The Cloth That Binds appears to be an…
A smart-looking show on display at Pirate combines pieces by three artists who first met in 2006 at Cornell University, which is why the show is called Ithaca, the name of the upstate New York town where the institution is located. It was organized by one of the artists, Pirate…
Gayle Crites and Andrew Beckham. As she usually does, Tina Goodwin has paired a couple of solos at her namesake gallery, with one in the larger front space and the other in the smaller corridor in back. At first glance, Gayle Crites: The Cloth That Binds appears to be an…
Cross Currents. This ambitious show, put together by CVA creative director Cecily Cullen, showcases contemporary art by Native Americans from across the country. It is a followup to Currents, a show Cullen did at the old LoDo CVA in 2009 that was on the same theme and was equally intelligent…
During his tenure at RedLine, former director P.J. D’Amico brought an interest in social activism to the programming there. A little over a year ago, he and then-deputy director (and now director) Louise Martorano decided that the 2014 schedule would be given over to exploring the role of women in…
Clark Richert. In the few years it’s been in business, Gildar Gallery has mostly showcased young and up-and-coming artists, but with Dimension and Symmetry: Clark Richert, the intimate space on Broadway has moved to Denver’s big time, as Richert is among the best-known artists in the state. The show comes…
As she usually does, Tina Goodwin has brought together two solos at Goodwin Fine Art, with one in the larger front space and another in the smaller dog-leg corridor in the back. Also typical for Goodwin is the fact that the two shows are simultaneously distinct from one another and…
The Kirkland Museum of Fine and Decorative Art announced today that it will move to a new complex to be erected on the northwest corner of West 12th Avenue and Bannock Street — and that it’s taking that part of the current building that once housed Vance Kirkland’s studio along…
Though contemporary art went fully international more than a generation ago, certain qualifiers related to country, culture, history, sexuality, gender and ethnicity, among a raft of other factors, persist, and there is no indication that they will give way to some kind of worldwide sameness. This idea came to mind…
Clark Richert. In the few years it’s been in business, Gildar Gallery has mostly showcased young and up-and-coming artists, but with Dimension and Symmetry: Clark Richert, the intimate space on Broadway has moved to Denver’s big time, as Richert is among the best-known artists in the state. The show comes…
Clark Richert. In the few years it’s been in business, Gildar Gallery has mostly showcased young and up-and-coming artists, but with Dimension and Symmetry: Clark Richert, the intimate space on Broadway has moved to Denver’s big time, as Richert is among the best-known artists in the state. The show comes…
