There have been some big changes recently at the Denver Art Museum’s Petrie Institute of Western American Art. Last month, longtime associate curator Ann Daley stepped down after more than twenty years (Artbeat, October 9). And now, Petrie director Peter Hassrick (pictured) has announced his retirement effective next April. Hassrick…
It sounds like a preposterous moment in a cheesy and sentimental Western: A couple of artists out of New York City head from Denver to Mexico by wagon, break down and start an art colony that goes on strong for the next sixty years. It really does seem made up,…
Adam Helms. This solo in the MCA’s Paper Works Gallery is the New York artist’s first museum show anywhere. In his works on paper and in a monumental sculpture that conjures up a shooting blind, Helms explores political themes, especially armed struggle. He takes images of different radical and extremist…
Performance art, which has been around since the early twentieth century, is pointedly non-commercial because it’s so ephemeral. It literally comes and goes with little remaining but memories — and a few photos and props. It’s the opposite of object-based art and has as much or more to do with…
The art tidal wave that’s hit Denver in the past few years hasn’t just led to a museum-building boom. It has also led to an explosion of galleries. I haven’t sat down to count all the commercial art venues in town, but I know it numbers more than a hundred…
Adam Helms. This solo in the MCA’s Paper Works Gallery is the New York artist’s first museum show anywhere. In his works on paper and in a monumental sculpture that conjures up a shooting blind, Helms explores political themes, especially armed struggle. He takes images of different radical and extremist…
When Sandy Carson, a fixture in Denver’s contemporary art world, announced earlier this year that she had sold her namesake gallery, even insiders were shocked. Carson has been on the scene since the beginning of time, which in Denver means the 1970s. The buyers were Bill and Jan van Straaten,…
Laura Merage is an accomplished photo-based artist whose work I’ve reviewed a few times during the past decade. Her photos and photo-based pieces are supremely elegant and extremely sophisticated, as is she. More relevant to my story this week, however, is her other career, as a generous philanthropist with a…
Girls Only. The trouble with Girls Only, a two-woman evening of conversation, skits, singing, improvisation and audience participation, is that it’s so relentlessly nice. Creator-performers Barbara Gehring and Linda Klein have worked together for many years; at some point, they read their early diaries to each other and were transfixed…
Adam Helms. This solo in the MCA’s Paper Works Gallery is the New York artist’s first museum show anywhere. In his works on paper and in a monumental sculpture that conjures up a shooting blind, Helms explores political themes, especially armed struggle. He takes images of different radical and extremist…
There has never been an election cycle during which Colorado has been as much in the spotlight as it has this time around. It’s been so exciting. Not only was Denver the site of the Democratic National Convention — when Barack Obama addressed the world from a photogenic neo-mod ern…
Christo and Jeanne-Claude. The fall opener at the Center for Visual Art is a conscientious survey of the careers of Christo and Jeanne-Claude as seen through their personal print collection documenting their pioneering conceptual work that began in the 1960s. The exhibit, which includes more than a hundred works of…
In the front gallery at Walker Fine Art (300 West 11th Avenue, 303-355-8955, www.walkerfineart.com), owner Bobbi Walker has paired up painter Don Quade and sculptor James Dixon, both from Denver, for the exhibit Natural Abstractions. The show’s title is somewhat general in its implications, if not quite a catch-all, because…
Hugh Grant, director of the Kirkland Museum of Fine & Decorative Art, has relentlessly carried the torch for Colorado’s art history, doing more to promote awareness of this important legacy than anyone ever has. He began his promotion with the work of Vance Kirkland, for whom the museum has been…
Adam Helms. This solo in the MCA’s Paper Works Gallery is the New York artist’s first museum show anywhere. In his works on paper and in a monumental sculpture that conjures up a shooting blind, Helms explores political themes, especially armed struggle. He takes images of different radical and extremist…
When I went to the MCA/Denver (1485 Delgany Street, 303-298-7554, www.mcadenver.org) last week to preview Damien Hirst, the place was a beehive of activity. In addition to the Hirst display going up in the Large Works Gallery, another exhibit was being installed around the corner, in the Promenade Space. Called…
You’d have to be living under a rock — or have absolutely no interest in contemporary art — not to know that Damien Hirst is a superstar. For more than a decade he’s been one of the top artists in the world, and just about everything he makes is worth…
Christo and Jeanne-Claude. The fall opener at the Center for Visual Art is a conscientious survey of the careers of Christo and Jeanne-Claude as seen through their personal print collection documenting their pioneering conceptual work that began in the 1960s. The exhibit, which includes more than a hundred works of…
I was really disappointed to learn that Ann Daley (pictured), associate curator of Western art at the Denver Art Museum, had decided to step down after more than a decade in her present post and after having worked for the museum for a lot longer than that. Over the years,…
Christoph Heinrich, the Denver Art Museum’s curator of modern and contemporary art, must be a workaholic. In recent months, he’s unveiled two new dedicated spaces: a paper-works gallery in the museum’s Hamilton Building and a new-media space called the Fuse Box. Then he took on the ambitious reinstallation of the…
It’s amazing how inexhaustible abstract expressionism is as an aesthetic ideology, both in its attenuated original form — going strong for sixty years now – and in its heir, neo-abstract expressionism. Edge Gallery (3658 Navajo Street, 303-477-7173) is currently hosting a pair of exhibits that highlight this long-lasting appeal. In…
Adam Helms. This MCA solo is the New York artist’s first museum show anywhere. In his works on paper and in a monumental sculpture that conjures up a shooting blind, Helms explores political themes, especially armed struggle. He takes images of different radical and extremist movements from different places and…
