Review: Lisa Frankenstein Is Far Better Than Box Office Returns Suggest
The macabre, modern fairytale proves creativity isn’t dead in Hollywood.
The macabre, modern fairytale proves creativity isn’t dead in Hollywood.
Witness the daily lives of astronauts in 360-degree views at the Stanley Marketplace.
Set to the music of Sting, the dance production is inspired by real stories from refugees.
The greater the cast, the more muddled the narrative.
Black History Month is back, with events ranging from music to movies and more.
The “genderqueer Fantasia of silliness” is at Wheat Ridge Theatre Company through February 18.
“I hope one day we will be able to say that Black voices aren’t underserved or overlooked, but it’s still a thing.”
Known for his ferocious comedy style, Lewis Black has been a standup comedian for over thirty years and is retiring from touring to focus on his podcast and writing.
What started in 2013 at the Comedy Store in Los Angeles because of a drunken kerfuffle at an open mic has become an international comedy sensation.
“I don’t want it to be all doom and gloom. It’s more about change than that.”
The tour includes an ensemble cast member from Brighton.
Christine Schiefer and Em Schulz discuss the makings of their world-famous podcast, and tease their new book.
“If the title was something more public-friendly, this show would always be a sell-out, but Urinetown it is, and Urinetown is your town.”
The movie-musical remake of Tina Fey’s beloved 2004 film is a cinematic disaster.
This exciting rock opera features a local performer and reimagines the last days of Jesus Christ through a kaleidoscope of rock, funk and soul.
Comedian Georgia Comstock was recently awarded a coveted regular slot at Comedy Works.
“We want to inspire the next generation of performers.”
Today’s Topics is a variety show for modern audiences that combines standup, sketch comedy, multimedia and music.
The event promises to blend the unpredictability of Don’t Tell Comedy with the creative essence of Meow Wolf, offering a unique experience that goes beyond traditional standup.
The musical has a “Hitchcock feel,” underscoring the tale of Letty Mason, a Virginia girl tossed into the harsh terrains of 1880s West Texas.
“I treat the audience like a group of women bonding in the bathroom, and they get to open up to me, so by the end we are all best friends.”
With a comedic twist as unpredictable as the Whomping Willow, this seventy-minute farce celebrates the beloved wizarding world at the Newman Center this week.