Girls Talk

For anyone who likes sitcom-style playlets in which characters with low self-esteem point blaming fingers at their childhood, the media, the men in their life and/or the healing professions, Women Aloud: Artistic Estrofest ’99 might prove illuminating or even therapeutic. But those who easily tire of gripe sessions set in…

Lying Down on the Job

The mutant children of Dr. Hannibal Lecter and his star pupil, agent Clarice Starling, remain doggedly at large in moviedom. There’s no serial killer (and no gruesome method of dispatch) that Hollywood now refuses to indulge, and no detective, no matter how hackneyed, who cannot be assigned to the case…

Ruined in Rouen

Luc Besson, director of La Femme Nikita, The Professional and The Fifth Element, is not the first name that would leap to mind to helm a biopic of Joan of Arc. Sure, he’s French, and sure, most of his films have women/girls as the protagonist or savior, but this is…

Of Gods and Demons

Much like the religion that has swirled around the Star Wars trilogy for twenty-some years, the fanaticism evidenced among American fans of Japanese anime remains a mystery to some of us. Writer-director Hayao Miyazaki’s megahit Princess Mononoke does very little to cast light on this obsession. And more’s the pity,…

Mommy Weirdest

Susan Sarandon is one of the screen’s most gifted actresses, a fiercely intelligent artist who invests her roles with depth, compassion, wit and humor. She has the ability to elevate even mediocre material, taking a potentially schmaltzy part, as in Stepmom, and making it totally believable. In her best films…

A Womans Tap

There are a lot of tangled branches in the tap-dance tree — there are jazz, rhythm and show tap, to name a few of the principal limbs — but Ellie Sciarra’s not willing to sort them out. An athletic dancer with more than twenty years in and out of the…

High Wire Acts

When Stephen Keating picked up the cable and media beat at the The Denver Post in 1995, he didn’t realize that the industry was on the verge of revolutionary change. “I was lucky enough to be covering this just as it happened,” says Keating. “I didn’t have any foreknowledge or…

Venus and Mars

Bill Havu has put together a wild amusement park ride of a show called Women & Allegory at his prestigious William Havu Gallery in the Golden Triangle. The exhibit, which lasts through the weekend, features a quartet of artists who deal with both feminist and feminine imagery. The work, according…

Art Beat

For the last few years, the Colorado Business Committee for the Arts has hosted exhibits downtown in the lobby of Republic Plaza — a feat that isn’t easy to pull off, since the lobby itself is a work of art. Designed by Skidmore, Owings and Merrill, the lobby is in…

What the Devil?

It’s not hard to believe that the Devil has done earthly time as an erstwhile boxing promoter or even a professional critic, but did he really head up a Viennese Masonic lodge for fifty years? And has the same horned creature who’s rumored to frequent the power corridors of the…

Too Earnest

The meticulous staging smartly echoes Oscar Wilde’s intellectual choreography, the costumes are resplendent, the setting is tastefully appointed and the actors are eager to relish each epigram and witticism. But even though director Len Kiziuk has paid dutiful attention to the vital elements that prop up The Importance of Being…

The Littlest Victim

Actor Frank Whaley has appeared in more than thirty movies, including Swimming With Sharks and Pulp Fiction. But none of them cuts as close to the bone, I suspect, as Whaley’s debut in the writer-director ranks, Joe the King. Set in the Seventies and carefully described by its maker as…

Pull the Strings!

The first rule of Being John Malkovich is, you do not look at the poster for Being John Malkovich! Plot-spoiling critics are harmless compared to what these filmmakers have opted to disclose in their own promotional art. (This package is second only to Kevin Smith’s Dogma for foolishly trotting out…

Titles With Subtitles

The World Cinema Series, 10 a.m. Saturdays and Sundays through December 12 (excluding November 27 and 28) at the Chez Artiste, 4150 East Amherst Avenue. $7. Call 303-757-7161

Un-Conventional

Voters will have a chance to decide on two proposals during Tuesday’s election that should be of great interest to the art world. The first is a no-brainer. Who would begrudge the Denver Art Museum a lousy $62.5 million — about the price of one good Van Gogh — to…

Art Beat

It’s easy to think of Elizabeth Schlosser Fine Art in Cherry Creek as a purveyor of paintings and sculpture from the region’s past, since a typical exhibit at the boutique style gallery showcases the work of deceased artists who were active in the early to mid-twentieth century. But Schlosser also…

Mother’s Keeper

A hundred years before terms like “mommy track” and “telecommuting” crept into the common parlance, German expressionist painter Paula Modersohn-Becker wrestled with an agonizing dilemma: Would she settle for being a stay-at-home mom who filled her few idle hours by sketching portraits, or would she fulfill her prodigious talent by…

Forever Young

Laden with postmodern gloom and narcissism, The Fastest Clock in the Universe is an offbeat play about “human cannibals” struggling to define themselves in a world bereft of meaning, sense or care. Despite the characters’ attempts to dial back the forces of time, they’re eventually compelled to reckon with the…

A Crying Shame

All hail. America is the seat of democracy and the world’s most mobile society — the place where a printer’s apprentice named Samuel Clemens can take a new name and remake himself as the country’s greatest satirist, where a geeky college dropout can become a software billionaire and shoeless boys…

The Wedding Swinger

Since there is no way to talk about The Best Man without eventually invoking the phrase “Spike Lee’s cousin,” let’s just get it out of the way: The Best Man is the directorial debut of Malcolm D. Lee, who is Spike Lee’s cousin. Having worked on various S. Lee films,…

Night Sweats

“That reminds me of the movies Marty made about New York,” stammered Lou Reed somewhere in the mid-’80s. “All those frank and brutal movies that are so brillyunt.” It was a clumsy, rhyme-impaired album track (“Doing the Things That We Want To,” from New Sensations), but as has often been…