Collide, which closes tomorrow at the Emmanuel Gallery on the Auraria campus, is an elegantly presented and intelligently put-together presentation of some Asian-American artists who work in the region. The show was organized by participants Ken Iwamasa and Polly Chang and beautifully installed by Mark Masuoka, Emmanuel’s director. In addition…
A Depression-era board game invented to provide financially strapped folks with the chance to embark on vicarious — and harmless — voyages through the choppy waters of high finance serves as the central metaphor in Nagle Jackson’s A Hotel on Marvin Gardens. As a group of self-absorbed upwardly mobile types…
When it comes to dealing with the biblical question of who is his brother’s keeper, politicians blame the other party, theologians kowtow to the well-heeled while reminding them to help the less fortunate, and self-help enthusiasts consider the question confounding and untenable. Enter actor Laurence Fishburne, whose three-character Riff Raff…
Jesus, Mary and Joseph! The repressed Irish-Catholic schoolgirl Molly Shannon plays on Saturday Night Live is certainly not everyone’s cup of glee. But there’s no denying the tug she exerts on anyone whose past is littered with the dry husks of Latin verbs and memories of nuns swinging big rulers…
Insomniacs, rejoice! During the first several decades of Sydney Pollack’s bloated, interminable Random Hearts, your eyelids will droop, your pulse and respiration will slow, and you’ll get that $8 nap you’ve been craving. Once the credits roll and the lights come up, you’ll awaken refreshed, undisturbed by vague dreams about…
Am I a traitor to my gender because I didn’t find this unabashed film about female sexuality erotic, brave, or even — dare I say it — interesting? The ironically titled Romance, directed by the audacious French filmmaker Catherine Breillat (36 Fillette), has become something of a cause célèbre wherever…
There’s a long tradition of stories about mysterious drifters who arrive in a small town and either create trouble or catalyze an explosion of long-simmering problems. Mark Twain used that hook, as did Dashiell Hammett (Red Harvest), Akira Kurosawa (Yojimbo) and Sergio Leone (A Fistful of Dollars). Now Hampton Fancher…
The first thing you focus on is their eyes. The animals in James Balog’s portraits seem to be — to borrow baseball’s colloquialism — staying within themselves: living in the moment, thinking clearly, and being completely comfortable with their animalness. Head-on and dynamic, the images challenge the catch-all designation of…
Janie Geiser doesn’t do just one thing. She doesn’t even do two things. Instead, her creative world seems to be constantly ascending: one thing leading to another, with every new element upping the ante just a little bit more. At the top, there’s a private world as small as it…
In a way, the historically important and aesthetically compelling Vanguard Art in Colorado: 1940-1970, which just opened at the Boulder Museum of Contemporary Art, provides a background for Colorado Abstraction: 1975-1999, the spectacular two-part exhibit now playing at the Arvada Center. Taken together, these shows provide a good big-picture look…
Craig Miller, the curator of architecture, design and graphics at the Denver Art Museum, has a gift for putting together small yet thoughtful shows. One of three exhibits showing on the second floor is John Sorbie: Graphic Designer, a lovely exploration of this important poster designer’s career. The show coincides…
If talent, poise and charisma were the only qualities needed to triumph in theaters of war or pleasure, then the sparkling quintet in Swingtime Canteen could claim absolute victory after crooning and hoofing their way though an Act One medley of brassy Andrews Sisters tunes. But even though the heroic…
Snugged away in a remote fishing shack in northern Minnesota, a burly loudmouth named Junior laments to his fellow ice-anglers that citified “income poops” have made a mess of the frozen lake that he and his Woolrich-clad pals consider their sacred refuge. In addition to spawning schools of cappuccino-sipping, tofu-nibbling…
The premise is preposterous, the final score inevitable and the record reading on the feelgood-o-meter totally predictable. But Mystery, Alaska comes furnished with some winning quirks and charms — including a very funny bit concerning premature ejaculation at twenty degrees below zero. So even if you don’t really believe that…
In general, period films are not what you would call a commercial sure shot in the current marketplace — unless, of course, the period in question is the 22nd century or some “long, long ago” that resembles the 22nd century. In Plunkett and Macleane, director Jake Scott — son of…
There is nothing gratifying about watching a bullet blast through a woman’s skull. Exploding helicopters and splattered cattle are utterly indefensible. And few would smile at the image of a little boy being obliterated by a flashy missile. So why is David O. Russell’s Three Kings such rousing entertainment? This…
Like many who have endured sexual abuse as a child, Jasmine Sailing grew up to become a troubled adult with low self-esteem. Like her abused peers, she also grew up equating sexual situations with pain and fear, sought solace in drugs and wound up in abusive relationships well into adulthood…
It is not easy typing while you are wearing a charm bracelet bearing the Ten Commandments — in condensed form, of course, since the King James version doesn’t fit on half-inch discs. But Thou Shalt Not Mind a Little Discomfort When the Flea-Market Find Is So Fabulous. On the other,…
The Arvada Center is presenting the epoch-defining two-part exhibition Colorado Abstraction, 1975-1999, which fills the entire two-story facility. Last week I reviewed Part I, a breezy look at the key abstract painters and sculptors who emerged in the 1970s. This week I look at Part II, which presents the artists…
Last year, the Carol Keller Gallery opened in the main space of a converted Highland area garage at 1513 Boulder Street and leased a few rooms to the Colorado Photographic Arts Center, a 35-year old Denver institution. But last month, they switched places. To kick off the switch, Keller has…
In his best plays, Tennessee Williams uses vivid imagery and poetic dialogue to evoke feeling — instead of explaining it to death, which is the preferred method used by many of today’s psychodramatists. In fact, as illustrated by Germinal Stage Denver’s Noh theater-style production of Suddenly Last Summer, Williams’s powers…
Like the union of the two main characters in The Marriage of Bette and Boo, the Bug Theatre Company’s production is a hauntingly sad, absurdly comic look at domestic strife that lasts a little too long for its own good. Pacing and structural problems notwithstanding, director Donna Morrison’s version sometimes…
