Wednesday May 18 Fit to be tried: The Regional Transportation District, which has a lot riding on the future, is throwing a Try Transit Week shindig that includes a little entertainment, a nostalgic look at the past and a good look at the future. Today, citizens can get a firsthand…
Human figures appear in representational art so frequently that new and exciting interpretations hardly seem possible. Even so, artists continue to render the figure, finding an inexhaustible source of inspiration in the body human. Three artists take over 1/1 Gallery with original, thought-provoking twists on the genre, infusing the well-worn…
Reinventing Japanese director Akira Kurosawa’s 1950 film Rashomon has become something of an American pastime. The movie was a huge international hit, a brilliantly acted, visionary retelling of two Ryunsuke Autagawa stories. It was first remade in America in 1964 as The Outrage, a pretentious but still engaging version of…
There is so much to Brian Friel’s Dancing at Lughnasa, it’s a pity there isn’t more. The Denver Center Theatre Company production is so rich in character, so well acted, so humane, so involving, it is difficult to say why it also just misses being completely satisfying. But then, the…
Yuppies hit the bottle, too. That’s the lesson of When a Man Loves a Woman, in which pretty Meg Ryan falls through a glass shower door, sweats out detox and fights to reclaim alienated husband Andy Garcia–all without messing up her hair or smudging her makeup. This is another gooey…
In Spike Lee’s sunny re-creation of Bedford-Stuyvesant circa 1974, laughing kids jump rope and play stoopball on spotless sidewalks. There’s always a parking place for the family car in front of the tidy brownstone. The neighbors may beef at each other about a little misplaced trash, but there’s not a…
Wednesday May 11 Bigger and better:Funsters John Flasburgh and John Linnel are better known to the world as They Might Be Giants. The quirky, goofy, hook-laden dynamic pop duo will make them all giddy tonight at the Ogden Theatre, located at 935 E. Colfax Ave. Tickets to the show, which…
Landscape As Metaphor, a show originally intended as a celebration of site-specific art, opens Saturday at the Denver Art Museum after more than two years of planning and construction. Such international talents as Judy Pfaff, Ursula Von Rydingsvard and Ed Ruscha scouted out locations in and around the museum in…
What a review of Love, Janis really needs is a rock critic, not a theater critic. The show at the Denver Center Theatre Company has plenty of hot moments, but works best as a re-creation of Joplin’s music, rather than her life. Nevertheless, Janis lives again. And all of us…
Singer-songwriter Tom Lehrer, an enemy of sentimentality in all its forms, built an interesting career thrashing middle-class pretensions and undermining “good taste” wherever it reared its ugly head. His black, satirical songs scorched many a prejudice and failing in American society during the Fifties and Sixties, and while some of…
Ray Liotta does not bullshit, and he has zero tolerance for those who do. As a result, if you persist in asking him bullshit questions, you will be rattled. Not because of the 38-year-old’s spectacularly intense gaze (the dominant image of such diverse films as Something Wild and Dominick &…
Wednesday May 4 Spirit world: Tesuque Indian sculptor Mark Swazo-Hinds creates astounding contemporary stone fetish and effigy figures decorated with feathers, shells, potsherds, deer antlers and buckskin. Examples of his work can be seen at the Heard Museum in Phoenix and at the Smithsonian, but Denverites now have a chance…
Television’s pervasive influence on society and the deconstruction of domestic life provide the major themes for two very different installations at Spark Gallery. Annalee Schorr and Virginia Folkestad fill the Platte Street space with mixed-media paintings, minimal sculpture and topical humor. Schorr’s fascination with the sequential imagery of television flavors…
It’s easy to pity someone dying of a painful disease. In the theater, it’s too easy. When disease is the subject of a play, it almost always becomes a substitute for dramatic structure–a built-in twister of heart-strings and manipulator of our personal and public fears. There are, of course, important…
It’s no surprise that Cyril Collard’s Savage Nights became an instant cult hit when it was released in France in October 1992. This blunt autobiographical portrait of youthful narcissism and recklessness in the age of sexual peril was the first European film to confront the AIDS epidemic head-on. Not only…
Glenn Gould, the eccentric Canadian pianist and celebrated hermit, would be a tough nut for any filmmaker to crack. As a child prodigy who could play Bach before he could read, Gould sat next to the radio, transfixed by Toscanini. But later he announced: “I just don’t like the sound…
Wednesday April 27 A walk on the cyber side: Journalist Douglas Rushkoff took a leap off the technological cutting edge and the result was his book Cyberia: Life in the Trenches of Hyperspace, a look into the virtual reality world with insightful interviews of William Gibson, Timothy Leary, Terence McKenna…
Mackey Gallery’s Annual Photo Show grows more popular with each passing year. The current, third edition displays the young artspace’s customarily astute selection of more or less traditional fine-art photos, this time augmented by adventurous photo collages, photograms and 3-D photo constructions, all by local artists. Nostalgia tints Patricia Barry-Levy’s…
Because of dazzling special effects and a funny, bloodcurdling villain called the Trickster (he looks like a Mohawk warrior freaked out on acid but talks like a Phi Beta Kappa), the witty techno-fantasy Brainscan could be the teen hit of the spring. But there’s something else here, too–a distinction between…
At first glimpse, Iain Softley’s Backbeat looks like a gritty trifle aimed at nostalgic Beatles buffs. It dusts off the old story of Stu Sutcliffe, John Lennon’s best friend in Liverpool, who played bass with the group from 1959 to 1961. A halfhearted musician, Sutcliffe found his head turned by…
Wednesday April 20 Riddim method: Reggae queen Judy Mowatt has all the right roots–when Peter Tosh and Bunny Livingston left Bob Marley’s Wailers, she stepped in alongside Rita Marley and Marcia Griffiths as one of the I-Threes. Since then, this talented Rasta gal has gone solo, making waves wherever she…
The pungent smell of peeled onions welcomes viewers to a rambunctious exhibit of installation art at Edge Cooperative Gallery. Three artists turn the alternative space into separate and diverse environments, each defined by gallery walls. Since works constructed onsite like this are almost impossible to sell, the dedication and sacrifice…
