Arts & Culture

Reed and Rudd deliver plenty of the goofy antics we’ve now come to expect from Ant-Man: size-change cock-ups, charming incompetence on the macho bluster front, etc.

At first, Whitney gives off the unpleasant whiff of dirty laundry being aired, as the members of Houston’s inner circle, speaking alone in front of the camera, dish on the family’s secrets

Sorry to Bother You sings in a voice all its own, thanks to the righteous vision of Riley, known for his 1990s hip-hop group the Coup and his vocal support for labor rights

Nancy’s life starts to look like it might change when her mom dies, and then, not long after, she sees a news report on TV about a couple whose 5-year-old daughter disappeared mysteriously 30 years ago

… As we see the propane tanks and apple boxes and tarps that father and daughter have gathered, we don’t need to be told that these two are not just out camping; they live in the woods

… Eating Animals proves persuasive mostly in its diagnosis of what has gone wrong, and in its account of how it went wrong on such a massive scale (through thumbnail histories of KFC, Tyson, and Chicken McNuggets)

… It’s nice that writer/director Shana Feste’s family comic drama Boundaries shows an adult woman reluctant to let her vagabond dad back into her life — for good reason

Jay Longino’s sap-filled script turns Drew into a mythological Zen master, dispensing words of wisdom after living a life of solitude and regrets when he’s not chasing after buckets