Greetings from Cannes! It’s an unwritten rule – maybe it should even be a written one – that no one who is lucky enough to come to Cannes for the film festival, now in its 67th year, should, in any way, shape, or form, complain about being here. But may…
When first-time director Gillian Robespierre’s festival favorite Obvious Child makes its theatrical debut in June, it could herald the sweetest, funniest, most unassuming cinematic revolution in years. Starring former Saturday Night Live bit player Jenny Slate in a ravishing star turn, the romantic comedy quickly caught attention at Sundance for…
If all of Cannes isn’t it love with Channing Tatum right now, it should be. During the photo-call for Bennett Miller’s Foxcatcher on Monday afternoon Tatum — relaxed, affable, light on his feet despite being seriously built — turned toward the press and took a few photographs of the corps…
Cannes, on festival weekends, is wild: Every night is busy on the Croisette, the long boulevard that winds along the shore and past the Palais des Festivals, the large complex where most of the festival action — including screenings, premieres, and red-carpet walking — take place. But the crowds swell…
Let’s rewind twenty years, to the summer of 1994. O.J. Simpson has been arrested for murder, the World Cup is in America and being ignored, and the biggest hits at the multiplex are Forrest Gump, The Lion King, True Lies and Speed. Notice anything odd about those movies? There’s not…
Denver-based Zumba instructor Brittney Rae Reese danced her way to national attention on CBS’s Let’s Make a Deal — where, unfortunately, she was “zonked” on an episode that aired recently. Reese was visiting a friend in California last Halloween when she was surprised with tickets to the popular TV show…
Village Voice film editor Alan Scherstuhl and L.A. Weekly film critic Amy Nicholson recommend Neighbors (Seth Rogen, Rose Byrne, Zac Efron) and Godzilla (Bryan Cranston, Godzilla) and are joined by special guest, James Beard Award-winning L.A. Weekly restaurant critic Besha Rodell, who discusses the highs and lows of Jon Favreau’s…
One of the great pleasures of regular movie-going isn’t seeing great films. It’s finding the little oddballs, the modest entertainments that miss just as often as they hit, but leave you with the feeling that someone poured heart, soul and a sense of humor into the work at hand. Fading…
How much can you take away and still have a movie? Steven Knight’s Locke is an experiment in whittling down contemporary screen storytelling to its irreducible essentials, which isn’t quite the same thing as being an “experimental” film, despite the ravishing early reviews from England. It shows us just one…
In an era in which Hollywood considers destroying whole cities obligatory for blockbusters, it’s refreshing to recall a time when such fantastical demolition had a poignant significance. You can feel it in Ishiro Honda’s Godzilla, now receiving a sixtieth-anniversary re-release. Honda’s miniatures are both charmingly quaint and touchingly physical (a…
Chuck Forsman. The Denver Art Museum’s curator of photography and media arts, Eric Paddock, has a special interest in photos of the American West. For Seen in Passing: Photographs by Chuck Forsman, Paddock chose works from two series by Forsman: “Western Rider” and “Walking Magpie.” Beginning in the 1970s, Forsman…
Harrison Ford has been a good soldier in the Star Wars. He did whatever was asked of him by his commanding officer, George Lucas, even when his commanding officer was wrong. Now that Ford is back in Star Wars, and J.J. Abrams is running the show, Abrams’s first order of…
When Wally Pfister won an Oscar for Inception, his sixth film with Christopher Nolan, he went home and put the statuette on his mantel. “And then it moved to the corner, and then my office, and then the closet because you go away for a few months, and then it…
Tom Hiddleston can pull off extreme looks. In The Avengers, he strutted around in Loki’s two-foot horned helmet. For Midnight in Paris, he finessed F. Scott Fitzgerald’s prim finger waves. And in his latest, Jim Jarmusch’s vampire romance, Only Lovers Left Alive, Hiddleston lounges bare-chested in velvet-cuffed robes. The only…
Everyone loves Batman. The world’s greatest detective has managed to become the world’s most popular superhero over the course of his 75-year existence, all without any actual superpowers. Along the way, his bravery, his mission and his ability to hang with the heroes who can literally throw cars around like…
When I showed up for an advance screening of Focus on the Family’s documentary, Irreplaceable, about one man’s attempt to define what makes a family, I had a knot in my stomach. I was entering hostile territory. See also: James Mhoon on Focus on the Family’s new documentary and God’s…
Does God exist and, if so, has he provided humanity with a perfect design for family structure? James Mhoon thinks so. As vice president of Content Development and Integration for the Colorado Springs-based Focus on the Family, he leads the organization’s charge to spread the word about the importance of…
Since 2002, the year Sam Raimi’s Spider-Man hit theaters, the other Spider-Man, the hero of the actual comic books, has joined the Avengers, revealed his secret identity to the world, and become a highly paid inventor who has engineered, among other marvels, a limitless energy source that science has dubbed…
The vampires that walk among us — and they do — are not the Twilight kind, or the True Blood kind, or even the Buffy kind. In the world of Jim Jarmusch’s Only Lovers Left Alive, the director’s most emotionally direct film since Dead Man, and maybe his finest, period,…
Everything in the opening scenes of Jeremy Saulnier’s nerve-racking revenge drama Blue Ruin is the color of a bruise, from the ocean to the bullet-hole-pocked Pontiac Bonneville that homeless near-mute Dwight (Macon Blair) calls home. Dwight has never overcome the pain of his parents’ murder when he was a boy…
1959. Dean Sobel, director of the Clyfford Still Museum, is the host curator for Modern Masters at the Denver Art Museum, and he’s done a companion exhibit at his own stamping grounds called 1959: The Albright-Knox Art Gallery Exhibition Recreated. (Special tickets allow visitors to see both.) The backstory for…
Tonight at the world-famous Stanley Hotel, the Stanley Film Festival will kick off its second year with Alexandre O. Philippe’s look at zombie culture, Doc of the Dead. [Disclosure: I appear in Doc of the Dead.] Sunday, the fest closes with the horror comedy What We Do in the Shadows,…
