Any thinking person watching Downsizing is 10 steps ahead of Damon’s blinkered schlub, and watching him piece together the bare facts about how this future America works — and how our America works today — makes for a frustrating sit
Chastain seems at times to be both the lead and her own supporting actor in this story, as she oscillates between traditionally feminine and masculine modes of behavior
Morris’ film dramatizes Olson’s last days between interviews with Olson’s son Eric and journalists and lawyers who have taken the case as a cause
Some of them gave me hope for America, others invited me into foreign-to-me cultures and one even made me delightfully nauseous
The first few months of the year are notorious for being a period of drought at the movies, but the January–March 2018 release calendar offers a surprising deluge of highly anticipated films
Star Wars: The Last Jedi hits theaters Thursday, December 14. While the frenzy around the release may not be quite what it was when the series first opened in Denver in the ’70s or ’80s or even early 2000s, there is no doubt that fans of the Force will be celebrating this week, in droves.
Writer-director Rian Johnson has certainly made the busiest Star Wars film of them all, but he keeps it from becoming a slog by infusing it with humor, verve and visual charm
First, these are my favorite movies of the year, not a claim to rank the definitive best, so don’t write to tell me that your favorite should have made it
I won’t waste your time attempting to sum up the totality of this year’s output, because I can’t, and any critic who claims to have seen enough of the more than 500 scripted series that aired in 2017 to do so is lying
Wright’s film is fleet but not especially thoughtful, wholly convincing in its production design, and in one crucial sense something rare: Here’s a war movie about rhetoric rather than battle scenes
The Other Side of Hope is a spiritual sequel to Le Havre, arriving six years later; both are sympathetic pictures of refugees without being overtly weepy or sentimental
When same-sex marriage became legal in Finland this past March, the government celebrated by releasing an official emoji — a leather-clad man with a drooping mustache and a police-style cap emblazoned with the word “Tom.” No explanation was necessary, for “Tom” was clearly a nod to Tom of Finland —…
As Ginny and her life unravel, Allen’s sympathy for her seems to dry up, and she becomes something like the villain of the piece
Vero Tshanda Beya, the Congolese singer turned actress making her screen debut in Alain Gomis’s tough-minded life-in-Kinshasa character study Felicite, can pierce your heart with her croon, rouse your soul with her shout, move you with her mien of cussed indomitability, cut you with her look of wary, weary appraisal…
Franco portrays Wiseau as a haughty but charismatic weirdo, someone who isn’t well-liked but who definitely gets noticed
… Just as the story should start to speed up and get more predictably exciting, it becomes weirder, drawn to odd tangents
And one of the great delights of this film is the way it charts the shifting waves of allegiances that can occur in a family that loves and argues with equal ferocity
Matt Bliss’s entrepreneurial adventure started with an A-frame cabin, his grandfather and a new way of looking at the Christmas tree. Now his business, Modern Christmas Trees, is headed to compete on Shark Tank.
… The Marvelous Mrs. Maisel tracks its title hero’s journey from bright-eyed newlywed to disillusioned standup comedian making her way through the coffee houses and nightclubs of New York City circa 1958, propriety be damned
An article, a book and now a film, Talese’s fascination with Foos’ voyeurism still hasn’t resulted in anything like rigorous journalism
The drama is mostly interior, and Washington’s quiet performance tends to reveal the jittery surface rather than the tortured soul
Francis Lee’s stark, striking God’s Own Country is one of several significant films this year to depict hard-edged men softening, opening up, finding the courage to admit that everything they need to get through this life isn’t already inside them. The protagonist, raw-eyed farm boy Johnny (Josh O’Connor), has inherited…
