Mario Bava’s Kill, Baby, Kill Remains a Superb Psych-Gothic Freakout

A new restoration brightens the corners of Mario Bava’s superb gothic 1966 freakout, crisply rendering each open grave, rotting skull, Limeade cobweb and tendril of swirling mist. As always in the films of the Italian horror master, death grooves in Day-Glo moodscapes, with Bava’s restless camera snaking through crypts and…

Dunkirk Is the Movie Christopher Nolan Was Born to Make

The nerve-racking war thriller Dunkirk is the movie Christopher Nolan’s entire career has been building up to, in ways that even he may not have realized. He’s taken the British Expeditionary Force’s 1940 evacuation from France, early in World War II — a moment of heroism-in-defeat that has become an…

David Lowery’s A Ghost Story Gets Lost in Time and Space

“Every love story is a ghost story,” David Foster Wallace wrote, more than once. That evocative observation is probed in David Lowery’s A Ghost Story, a film that occasionally reaches a similar level of eloquence. Lowery’s fourth feature reunites Rooney Mara and Casey Affleck, the leads of his second, the…

Rape Choreography Makes Films Safer, but Still Takes a Toll on Cast and Crew

From Game of Thrones to The Handmaid’s Tale, narratives of sexual assault have become particularly common in film and TV lately. But rarely do we think about the filmmakers, actors and crew who make on-screen rapes happen. How do they feel? Are they tired of rape scenes? Or could portraying rape could actually be a positive thing?

Emmanuelle Devos Makes the So-So Thriller Moka Worth Watching

Though it’s a phlegmatic, sometimes stumbling thriller, Moka, directed and co-written by Frédéric Mermoud, still has its share of gripping suspense. These tense moments arise not from any plot machinations but from the anticipation of the next exquisitely calibrated response by Emmanuelle Devos, the film’s star, who appears in every…

War for the Planet of the Apes Is the Most Vital Blockbuster in Years

Somehow, while we were worrying about superheroes and star destroyers and hot rods and whether Captain America could beat up Superman or whatever, the goddamned Planet of the Apes movies became the most vital and resonant big-budget film series in the contemporary movie firmament. And they did it with the…

Flying High on The Ornithologist‘s Shape-shifting Impieties

The Portuguese director João Pedro Rodrigues has called The Ornithologist, which follows a lone bird expert in a remote northern part of the country, an “adventure film.” It’s a genre he fantastically destabilizes to encompass martyrdom, transmigration of the soul, and wild revelers cavorting in Mirandese, a nearly extinct language…

Crack Drama Snowfall Can’t Get its Game on Track

Snowfall airs Wednesdays on FX Days before the Tupac Shakur biopic All Eyez on Me premiered, the news hit that John Singleton’s original script for the project opened the rapper’s story with Tupac being raped in prison. Singleton had left the ill-fated film twice before Benny Boom stepped in to…

The Ten Best Film Events in Denver in July

As Cole Porter once sang, “It’s too darn hot.” The only institution guaranteed to be a haven from the heat and a hub of cold, fizzy drinks is the cinema, and this July there’s a slew of movies for you to watch and chill out with.

Here’s All the TV Not to Miss This July

I hate July. It’s hot and there’s less TV. Nevertheless, she sweated through her bra and wrote this guide to what’s worth watching. Snowfall (FX), July 5. Justified’s Dave Andron teams up with director John Singleton for a drama about the start of the crack-cocaine epidemic in LA. Andron describes…

Sally Hawkins Dazzles Even When Maudie Drags

Maudie is hit-or-miss, but you’ll probably bawl anyway. Its creators have elected to dramatize nothing but the things that traditional narrative features usually botch. The film, directed by Aisling Walsh, surveys the life of a beloved artist, Nova Scotia’s self-taught folk painter Maud Lewis, who produced scores of cheerily primitive…