Film, TV & Streaming

Critical Focus: Ian Fisher. This show, located in the informal Whole Room at MCA Denver, is made up of a group of mostly monumental paintings of the sky. It’s the type of thing that has become the artist’s signature. Though Fisher begins with photographs of clouds used as studies, the…

Leave it to Wes Anderson to make a film about World War II without mentioning Germany. In The Grand Budapest Hotel, a wundercabinet set in the fictitious Eastern European republic of Zubrowka circa 1932, Anderson captures the collapse of a kingdom and the rise of a reich without so much…

Think adapting War and Peace is hard? Try adapting the race-car video game Need for Speed. Tolstoy’s 1,225-page behemoth has nothing on the Electronic Arts franchise’s irreconcilably complicated twenty-year, twenty-installment history: Sometimes cars are subject to physics; sometimes they aren’t. Sometimes they’re invulnerable; sometimes they break. Maybe you’re in London;…

Ah, the Romanians: Sometimes it seems like no one else is bothering to make movies for grownups anymore. With Child’s Pose, the Romanian tide enters its Cassavetes phase, where the thin ice of haute-bourgeois life cracks and opens wide. Classically, we’ve got a character study under pressure, with Luminita Gheorghiu…

A wise man — or, more precisely, a wiseass trucker named Jack Burton — once opined that “it’s all in the reflexes.” Few actors have had better ones than Kurt Russell, who makes a welcome return to theaters this weekend in The Art of the Steal. Having been largely MIA…

According to lore, Liberace used to greet the tourists who’d come by bus to gawk at his bejeweled home with the line, “I hope you like it. After all, you paid for it!” Not everyone has to like Rob Thomas’s Veronica Mars, the feature-length incarnation of his much-loved television series,…

As of this writing, the Netflix Instant catalogue boasts more than 10,000 titles available for online streaming — a number that, as per the official Netflix rhetoric, seems colossal. But the landscape of this digital paradise may not be quite so idyllic. As classic-film enthusiast Jaime Christley reminds us, “If…

When Alison Klayman began filming artist and activist Ai Weiwei for a short introduction to be included with one of his exhibitions, the filmmaker had no idea it would become the beginning of a feature documentary about the controversial Chinese figure. But after shooting the initial footage, she kept filming…

The past ten years have made it apparent that there is no more room in hell, because everywhere you look, the dead are walking the earth. Zombies are a genuine pop-cultural phenomenon, starring in cable TV’s most popular show, sitting at the center of tentpole film franchises and appearing in…

The most notorious haunted hotel in the world, the Stanley Hotel, inspiration for The Shining, will host the second annual Stanley Film Festival, April 24-27. Organized by the Denver Film Society, the festival fits right into the historic hotel, with a theme — presented by NBC Universal’s Chiller TV –…

Man, woman, gay, straight, bi: There’s something for everyone in 300: Rise of an Empire, the XXL sequel to the also-larger-than-life Greeks-in-shinguards extravaganza 300. In that picture, directed by Zack Snyder and based on Frank Miller’s graphic novel about the three-day Battle of Thermopylae in 480 B.C., the Spartans and…

For more than two decades, Alain Guiraudie has been unrivaled in depicting desires that upend convention, whether homo or hetero. In the comedy The King of Escape (2009), for instance, a middle-age gay man falls in love with a sixteen-year-old girl; the film ends with an all-male gerontophilic ménage a…

Be a Cloud not a Grid. Vertigo Art Space owner Kara Duncan invited well-known Denver artist Theresa Anderson to curate a show, which resulted in Be a Cloud not a Grid. And although Vertigo is fairly compact, the show’s charisma makes it look bigger than it is. Anderson’s selections are…

The latest chin-out probe into the mutual-lockjaw Israeli-Palestinian scenario from Paradise Now director Hany Abu-Assad, zippy melodrama Omar immediately homes in on an athletic Arab twenty-something (Adam Bakri) scaling the West Bank wall and shrugging off gunfire in order to both visit his swooningly adorable girlfriend (Leem Lubany) and meet…

Alain Resnais’s last completed film, Life of Riley (2014), presents a group of aging friends who plan, hope, wish, dream and scheme after they learn that one of their own is dying. The doomed man, George Riley, never shown on screen, is enlisted to join an amateur theater production in…

(Spoiler alert: The following piece discusses up to the February 16 episode of Looking.)HBO’s Looking has had a tough time winning over its intended fans. Upon its premiere, Gawker’s Rich Juzwiak yawningly summed up the political achievement of creator Michael Lannan’s wonderful half-hour dramedy about three homosexual men in San…

If you were to survey people who pay attention to movies — to go door-to-door with a clipboard, a sharpened No. 2 pencil, and a sheaf of forms with the word SURVEY printed in clean block letters across the top, later to be tabulated on a vintage Underwood adding machine…

First, the pleasant surprises. In puffing up the slight, absurd Mr. Peabody and Sherman shorts from Jay Ward’s The Rocky and Bullwinkle Show into an 82-minute 3D save-the-time-stream child-distractor, director Rob Minkoff and his many writers have preserved a few of the hallmarks distinguishing the dada, deadpan, almost primitive original,…

Local filmmaker Brad Stabio created the Denver Actor Project, an ongoing showcase of local actors, to demonstrate the talent that can be found in the Mile High City. The project premiered at the Starz Denver Film Festival last November with a series of six short films, and Stabio hopes to…

Hollywood peddles movies like a chef flings noodles at the wall. Does it stick? If so, perfecto. If it splats on the floor, well, movie moguls have enough dough to try again. The one thing audiences can be certain of is that each year, Hollywood is guaranteed to serve up…

Be a Cloud not a Grid. Vertigo Art Space owner Kara Duncan invited well-known Denver artist Theresa Anderson to curate a show, which resulted in Be a Cloud not a Grid. And although Vertigo is fairly compact, the show’s charisma makes it look bigger than it is. Anderson’s selections are…