Denver Film Festival artistic director Brit Withey highlights The World Before Your Feet, a documentary about a man who spends years walking every block of New York City, as his must-see pick for November 5, 2018.
Denver Film Festival artistic director Brit Withey names his must-see picks for films screening at the event November 2 to 4, including Pity, Behind the Curve and Cold War.
The Denver Film Festival’s decision to launch its 41st edition on Halloween avoided disaster thanks in part to its opening night film, The Favourite.
Denver Film Festival artistic director Brit Withey touts The Wolf House, an animated film from Chile, as the must-see pick for November 1, 2018.
Denver Film Festival artistic director Brit Withey previews the 41st edition of the Mile High City staple as well as the opening night selection, The Favourite.
Despite being built based on Welles’s notes and the input of people who were in front of and behind the camera on set, this The Other Side of the Wind has a haphazard “well, he shot it, so we better include it” vibe
It’s one of those biopics where everything significant that happened to a famous person happens all at once, in the couple of seconds of any given year that we see dramatized
Footage of Studio life — the lavish lights, the Broadway-style props and performance numbers, the heaving mass of beautiful people — plays here mostly in chaotic montage, with few shots related to the one coming next
The more prickly and belligerent Israel becomes — and McCarthy never burdens her with likability — the more Holofcener and Whitty soften her choices with extenuating circumstances, imbuing their subject with a zeal for artistic purity at odds with her actions
There are some evergreen horror concepts, where the bare bones of the story are strong enough that they can be adapted and made over in multiple generations to express whatever fears and frustrations of the times in which they’re made
A Denver screening of a movie about the Wax Trax stores and record label will include appearances by outsider-music icons Jello Biafra, Al Jourgensen and Groovie Mann.
Called back into active duty after a cyberattack reveals the identities of all current MI7 agents, the decidedly out-of-date English uses his old-school knowledge to track down Volta and unplug him from the world’s power grid
… This new Sabrina dives headlong into the dark, weird truths that smart kids — and alarmed evangelicals — always assumed ruled the life of America’s favorite teenage witch, her sorcerous aunts and her black-cat familiar
For Nic and his family, rehab becomes sobriety becomes relapse, a pitiless cycle of hope and disappointment too many of us will experience at one time or another, either as addict or loved one
We meet Laurie in her super-sealed woodsy compound, almost 40 years to the day after the murders that took place in 1978 — this film negates all the previous Halloween sequels
Adapted from a British series of the same name by Girls dream team Lena Dunham and Jenni Konner, Camping seems destined to spark yet another debate about patently “unlikable” female protagonists
Netflix has recently offered two modest stabs at this stabbing-est of genres, a pair of animated series, one of which bristles with promise
The depictions of drug and alcohol use, sex (Stevie getting it on with an older girl) and violence (both self-inflicted and by others) are difficult to watch, as Hill brings a fly-on-the-wall candor to his depiction of youth and the film’s era
That impulse — to continually stoke our fury with Twitter takes, cable news shouters and breaking news updates — gets lanced throughout The Oath, which writer-director-star Barinholtz has set in a now just as fevered as ours
Pretty much the whole film consists of phone exchanges between Asger Holm (Jakob Cedergren), a police officer who has been temporarily demoted to working the phones, and others out in the field as he struggles to save a woman who is being abducted by her ex-husband
The Denver Film Festival will showcase 130 feature films.
The teacher in question, played by an excellent Maggie Gyllenhaal, takes an insistent interest in the life and (apparent) art of 5-year-old student Jimmy (Parker Sevak), who occasionally goes into a shuffling trance and mumble-recites evocative verses of his own invention
