Set in Cannes (which, big surprise, is also where it premiered), Claire’s Camera opens with three scenes depicting the firing of a young woman, Man-hee (Kim Min-hee), from her job at a Korean film sales company
The main character, this time named Frank (Nick Offerman), like (High) Fidelity‘s Rob, owns a record store and lectures women about music as if they don’t have opinions — or ears — of their own
Now, a slick young billionaire (voiced by Bob Odenkirk) has a plan to make superheroes popular (and legal) again by televising their exploits, and chooses Elastigirl over Mr. Incredible as the face of this new campaign …
From the very first scene, Pose boasts a purposefully slick veneer of artificiality — it’s a little too art-directed, a romanticized version of poverty straight from the set of Rent
Through archival footage of Rogers both on and off the set of his iconic show, as well as interviews with his family, friends and former crew members, Won’t You Be My Neighbor? draws a flattering yet complex portrait of its subject, who died of cancer in 2003
Simply put, the clockwork heist that Ocean’s 8 promises (and, by its end, dazzles with) limits the film’s ability to offer what you might actually want from it: the chance to relish this cast
… While John Wick is all action, no talk, Artemis is the polar opposite, Pearce stretching out the will-they-won’t-they (kill each other) tension as long as possible, until every violent criminal is trapped in this hotel
Boom makes Basquiat out to be an on-the-fringe Zelig-like character, attempting to get his foot into a bustling arts scene where the inner-city people were beginning to mingle with the downtown folk
The horror of Hereditary lays not just in scary images but in creeping sense that free will is a joke, and bad luck can be as inescapable as a family curse
In both the archives and in Novack’s footage, Talley appears so fully himself in every one of his garishly fascinating caftans that it’s difficult not to admire him or the endless knowledge of history and design (specifically Russian) he can spout from on cue
Filmworker walks a fine line tonally, as it reflects both Vitali’s admiration and awe of Kubrick, while also calling into question the way the director allowed his many projects to devour the lives of those who worked for him as well
For all its jittery heist drama, American Animals is, above all else, an accidental study in just how much white kids can get away with and still be welcomed back into society
Both series unfold from the perspective of the “bad guys,” and both juxtapose a life of crime with the mundane everyday — for Barry, the world of desperately aspiring Los Angeles actors, and for The Americans, the Jennings’ domestic life …
Teeming with abandoned buildings full of thugs to be dispatched, ruled over by shadow corporations and wicked artificial intelligence, Whannell’s film plays like the smarter-than-you’d-think 2018 version of some 1988 kill-’em-all VHS cheapie
Gunn eschewed exploitation’s tendency toward empty sensation and imbued the film with an undercurrent of realistic misery
The morality-tale obviousness of First Reformed’s plotting at times proves at odds with its sensitive detailing of its characters’ inner and spiritual lives
Its heights might on occasion yank your stomach to the theater floor, but much of Mountain is a bit of a bliss-out, a chance to contemplate the planet’s most remote and dangerous places and our relationship to them
Michael Mayer’s sunnily bleak all-star film, I fear, squirms through the first acts of Chekhov’s masterpiece the way a cast member’s 8-year-old cousin might in a theater seat
In The Tale, both repression and revelation take the form of stories — the stories we tell ourselves and the sometimes irreconcilable stories other people tell about us
The survival expert is alone in Africa on Naked and Afraid XL: All-Stars.
… Here are our picks for the most promising movies due in the Memorial Day-to-Labor Day frame that was responsible for keeping Hollywood solvent, a long time ago, in a galaxy far, far away
The young newlyweds are violin virtuoso Florence (Saoirse Ronan) and history grad Edward (Billy Howle), each very much in love with but still painfully awkward around the other
