Writer/director Angela Robinson’s Professor Marston and the Wonder Women is achingly normal, in a good way. Robinson has proven herself capable of melding her sincere and often endearingly campy sensibilities to any cinematic style — spy spoofs (D.E.B.S.), Disney family flicks (Herbie: Fully Loaded), comic-dramas (The L Word), sexy vampire…
It’s October, which means it’s time to retire from outdoor life and fully settle into the fall premiere schedule. And because it’s 2017, that means there are about a bazillion new and returning shows, so I sorted through the deluge to bring you the most intriguing ones. I swear, writing…
Some of the best films I saw at Fantastic Fest were nearly unclassifiable, ranging from allegorical religious retellings in the streets of Budapest to paeans of pride for a profession that possibly should have gone by the wayside. What they all have in common is a sympathy for the outsider…
With its cast of Kate Winslet and Idris Elba, its original non-franchise source material, its adult concerns and utter lack of superheroics, Hany Abu-Assad’s The Mountain Between Us stands as the kind of movie that grown-ups I know often say they wish the studios would make — and then tend…
We don’t actually see that many books in Ex Libris, Frederick Wiseman’s massive new film about the New York Public Library. “People think that [libraries are] just storage spaces for books,” one administrator observes, when in reality they’re “about people [who] want to get knowledge to them.” That’s a central…
The scenes that sting and linger in the uncommonly thoughtful and engrossing war drama The King’s Choice are not its scenes of combat. They’re of efforts to stave off combat, of politicians and royalty trying to work out a deal to maintain neutrality, of parliaments dissolving and the radio blaring…
The story goes that the stretch of snowy landscape at the end of the original cut of Ridley Scott’s Blade Runner was actually B-roll from Stanley Kubrick’s The Shining, slapped on by Scott at the last minute to help deliver the more upbeat ending his studio requested. Those final moments…
Ahead of the film’s premier today, September 29, we spoke via email with Colorado College professor David Hendrickson about his experience lending his home to Our Souls at Night filmmakers for two months.
Out of the eighty-two feature films at Fantastic Fest this year, eleven were directed by women, and four of those were co-directed by a man. For the slow in math, that means women directed only about 13 percent, which is pretty dismal, though on par with Cannes and 8 percent…
iIf there’s one thing the Japanese genre filmmakers whose work turns up at U.S. festivals tend to nail, it’s masterfully creating a sense of inescapable existentialist dread. At this year’s Fantastic Fest, two films bummed me out beautifully — a nice distraction from the ugly bum-out of the all the…
If I could sum up my experience this week at the Austin-based genre film festival Fantastic Fest in a word, it would be “exhausting.” In years past, that complete physical and mental breakdown might come mostly from the mind-blowing cinema and rowdy events of the festival, but now it is…
Sarah Mondale’s latest film, Backpack Full of Cash, which premiered late last year, takes viewers inside public school systems on the east coast to examine how the pivot toward “school choice” initiatives like charter schools and voucher programs impact the education system as a whole.
Please accept what follows as a considered statement, arrived at through observation and experience, and not as film-review hype or boilerplate: Kate Mulleavy and Laura Mulleavy’s Woodshock is the rare drug movie that, as you watch it, if you surrender to it, stirs the sensations of having taken drugs. I’m…
Often populated with voluptuaries, the films of Bertrand Bonello unerringly distill mood and milieu. In his heady, sinuous biopic Saint Laurent (2014), for example, Bonello ditched the traditional, usually tedious birth-to-death arc that most films in that genre follow to focus instead on the years 1967 to 1977, the great…
BoJack Horseman streams on Netflix It’s not a huge surprise that my sensitive and kind-hearted spouse could be left sobbing by an episode of a popular TV show. She’d say herself that she’s an easy mark, TV showrunners. But it’s definitely a surprise when any show even tries. TV writers…
Gerald’s Game premieres on Netflix on Sept. 29 One of the most hilarious things I’ve ever seen on television comes early in The Langoliers, a 1995 ABC miniseries adapted by Tom Holland from a Stephen King novella. It’s the one about a small group of travelers waking up on a…
Just a little more than three months ago, Tom Cruise starred in a lifeless wannabe-blockbuster called The Mummy that made little use of his innate charisma (shut up, he still has some) or his star persona, turning him into an anonymous action hero. Now comes American Made, a picture that…
Let me set the record straight: Dolores Huerta created the rally cry “Si se puede,” otherwise known as “Yes we can.” If you’ve only ever seen the 2014 film Cesar Chavez — about the legendary farmworkers union president — or watched an Barack Obama campaign speech, you may have thought…
In Battle of the Sexes, Jonathan Dayton and Valerie Faris’ film rehashing the most infamous tennis match in modern history, Billie Jean King (Emma Stone) must brawl with the coed United States Tennis Association for equal pay as she comes to terms with her attraction to women and what might be…
Lording over the colonies is all bore and bother for the queen in Stephen Frears’ sumptuous yet centerless Victoria & Abdul. The film dramatizes Queen Victoria’s spirited friendship with Abdul Karim, a charming clerk from northern India who — in this telling — jolts the Empress of India from her…
Mike White’s father-and-son college-trip comedy-drama Brad’s Status is legitimately more frightening than anything in It. Quite aside from the fact that real life is always scarier than monsters from the beyond, the writer-director’s deep understanding of envy, entitlement and embarrassment has never been more nightmarishly effective. But don’t expect one…
Over the phone from his Los Angeles office, David Lynch tells me, “It was all Harry Dean. I’d do anything for Harry Dean.” The visionary director is referring to taking on an acting role in John Carroll Lynch’s directorial debut, Lucky, which stars Harry Dean Stanton, and is largely based…
