Octave Mirbeau’s The Diary of a Chambermaid, a 1900 novel about the depravities in all social strata written from the point of view of a servant named Célestine, has famously been adapted twice before, by two of cinema’s immortals. Benoît Jacquot’s uneven take on the material won’t challenge the stature…
In a stark white room, four boys huddle on a mattress, addressing the camera. They’re athletic, the picture of youth and every Abercrombie & Fitch catalog. A blond boy says, “We want to thank Jane O’Brien Media for this opportunity,” and they all smile and wave. They’re about to take…
Let me tell you all the good things about Nicolas Winding Refn’s high-art, lowbrow horror film The Neon Demon before I tell you what I will not tolerate. After Drive, Refn seems obsessed with his idea of Los Angeles, one where there’s always a full moon, no traffic and everyone…
People made a stink about the walkouts during the Sundance premiere of music-video-and-advertising geniuses the Daniels’ first feature film, Swiss Army Man. It stars Daniel Radcliffe (Manny) as a farting, rotting corpse with superpowers and Paul Dano (Hank) as a sad-sack suicidal stalker trying to get home through a forest…
Can Steven Spielberg do comedy? That seems like a dumb question, since nobody has done more to bring wit to the modern blockbuster; Raiders of the Lost Ark and Jaws boast as many laugh-out-loud moments as they do thrills. But those gags are often incidental, of the tension-breaking kind. When…
At last, a Hollywood reimagining with a point. David Yates’ two-fisted pulp-studies spree The Legend of Tarzan doesn’t just update Edgar Rice Burroughs’ white-boy jungle-bro for our age of heightened sensitivities and bit rates. It interrogates the very idea of Tarzan, signing the old sport up for the good fight…
An unlikely buddy comedy-drama about the friendship between a suicidal castaway played by Paul Dano and a flatulent corpse played by Daniel Radcliffe, Swiss Army Man doesn’t seem like the kind of movie you’d watch with your mother. So what was it like to be the mothers of the film’s…
According to IMDb, Jaume Collet-Serra’s over-before-you-know-it The Shallows runs for one hour and 27 minutes — a number that produces a reaction something like when an NBA roster lists a short-looking player at five-foot-nine and you marvel, Really? Nate Robinson is that tall? The shark thriller has only three or…
Very few advance screenings preceded Independence Day: Resurgence’s arrival in theaters on the evening of June 23. That’s eight days ahead of the July 4th weekend that in simpler times — like 1996, when Independence Day was the year’s biggest hit — was traditionally reserved for the biggest, ka-blammiest movie of the…
The most surprising thing about the new buddy action-comedy Central Intelligence is the sight of Kevin Hart playing straight man to another actor’s antics. In previous comedies, Hart has been the pint-sized, fast-talking dynamo at the center of the action. Even in movies where he’s the guy in over his…
Let me tell you all the good things about Nicolas Winding Refn’s high-art, lowbrow horror film The Neon Demon before I tell you what I will not tolerate. After Drive, Refn seems obsessed with his idea of Los Angeles, one where there’s always a full moon, no traffic and everyone…
Has Paul Rudd become Hollywood’s idea of the face of economic insecurity? There his handsome mug was, in Ant-Man, beneath a Baskin-Robbins ball cap, his character making do behind an ice-cream counter while Marvel made bank in promotional tie-ins. And now, in The Fundamentals of Caring, Rob Burnett’s alternately winning/cloying…
Woodrow Wilson described D.W. Griffith’s notorious Civil War epic Birth of a Nation as “writing history with lightning.” Gary Ross’ Free State of Jones, which covers roughly the same period as Griffith’s film, is more like writing history with index cards. Diligent and informative but also fragmented and inert, it…
When commercials for Mel Brooks’ Dracula: Dead and Loving It (1995) ran on Channel One at my high school, I was ready. Vampire movies had dominated the late ‘80s and early ‘90s, and at last a slapstick comedy was set to lampoon all that arty melodrama. High school me couldn’t…
This sadistic pulp-revisionist Western starts so well that you might feel something like loss as it ends: The Duel could have been something. The opening is all evocative mud and blood as a pair of knife-fighters, their left arms tied together, stab in a downpour. Cut to two decades later,…
John Carpenter, the legendary horror filmmaker, has been the focus of a Scream Screen tribute at the Sie FilmCenter that just concluded with last night’s Prince of Darkness showing. But there was supposed to be a special bonus to that series: Carpenter, who’s currently on his first national tour as a musician, was…
Aspiring filmmakers, rejoice! You soon could have $2,500 for a project. The Denver Film Society is taking submissions for its inaugural PitchLatino, which “seeks projects in pre-production that highlight Latino voices, culture and themes within the community.” The project is part of the Denver Film Society’s CineLatino Film Festival, which…
In cinema, all things move towards acceptance. In time, debates about filmmakers usually settle in favor of the filmmaker — not because detractors change their minds, but because the urgency of the conflict wanes, and stalemates go to the fans. It’s hard to believe that battle lines were once drawn…
If you can get past the spectacle of British and Australian actors portraying some of the most important figures of 20th-century American literature, Genius is a good example of a prestige pic that is not only literate but surprisingly vibrant. It’s the story of the tumultuous relationship between hot-tempered, Asheville-born…
Director Jake Paltrow (Young Ones, The Good Night) met Brian De Palma at a party. He’d had a few drinks and worked up the courage to talk to the legendary filmmaker, who turned out to be surprisingly open and kind. The next day, Paltrow got an email from the friend…
Finding Nemo may have been a cartoon about a clownfish traveling across the ocean looking for his son, but it was also one of Pixar’s first overt forays into the workings of the human mind. The film, from 2003, was haunted by loss: The protagonist, Marlin (voiced by Albert Brooks),…
The white-dude detective of Nordic best-sellers bears a burden other crime-solvers don’t. Besides his personal troubles — he’s usually a sauced mope estranged from his family — and the challenges of his case-cracking and victim-saving, he is also called upon to reassure readers that the rottenness he sees each day…
