Hot Pursuit‘s Silliness Is a Plus, Not a Liability

Sofía Vergara is built like an amphora, a living testament to the form ceramicists throughout the centuries have adored. In the fleet and gloriously ridiculous comedy Hot Pursuit, Vergara plays Daniella Riva, a mobster’s wife who needs to be escorted from San Antonio to Dallas, where she’ll testify against the…

Podcast: Avengers 2 Is Better Than Avengers 1

Avengers: Age of Ultron director and screenwriter Joss Whedon wants to give us everything in his movie, and that he fits it all in is its own kind of feat, writes LA Weekly film critic Amy Nicholson in her review of the film, which opens May 1. Joining her on…

Kurt Cobain Is Honored in the Stunning Montage of Heck

A post-Wikipedia biographical documentary, Kurt Cobain: Montage of Heck finds Brett Morgen constructing a feature-length collage of notebook entries, demo tapes, rehearsal footage, home movies, archival photos, and drawings and artwork by the late Nirvana frontman. It’s an impressive, comprehensive assemblage, designed to impart not a point-by-point historical account but,…

Avengers: Age of Ultron Is a Movie Monolith for the Devout

Avengers: Age of Ultron is a complicated, ticking machine — a cuckoo clock under attack. Returning helmer Joss Whedon is earnestly trying to make a movie out of a bag of bolts: six stars, nine cameos, three enemies, and at least ten films to go before the climactic Avengers: Infinity…

Stanley Film Fest Paranormal Programmer Scares Up His Top Picks

The third chapter of the Stanley Film Festival rolls into Estes Park this week, like a spirit-soaked fog hovering over the spooky Stanley Hotel, filling the place with the best horror films and festivities for a celebration of cinematic goosebumps. On the fright frontline is Matthew Campbell, a programmer who spends…

Adult Beginners Crams Kroll Into a Played-Out Arc

I dread explaining man-child dramedies to the ghosts of the dead. “You see, Grandpa, after your time, a generation paralyzed by the economy and indecision stopped growing up, and started churning out indie movies justifying why.” In the ’40s, men fought wars at eighteen. In 1967, Benjamin Braddock faced accusations…

In Little Boy, Faith Trumps Everything — Even Rationality

Did you know that there’s a new family-audience feature film that implies that God nuked Japan because one plucky American moppet dared to dream? That’s no exaggeration. In the summer of 1945, the kid stands on a California dock, points his fingers magician-style out at the Pacific horizon and screams…

Ex Machina: Alex Garland’s Debut Is Clever and Fun

Ex Machina is an egghead thriller with a scary selling point: Unlike Liam Neeson shooting up half of Boston, this actually could be taking place right now. It’s a smart film about the shrinking divide between man and robot. It’s also a hoot, an anti-comedy in which all of the…

Unspeakable Beauty and Brutality in The Salt of the Earth

Even if you think you don’t know the photographs of Sebastião Salgado, you’ve probably seen them. In one of his most famous pictures, taken in the mid-1980s in Mali, a woman whose face is half-hidden by a dark, rough-textured cotton veil, her bearing as elegant as anything you’d see in…

5 to 7 Doesn’t Quite Add Up

Victor Levin’s 5 to 7 is a romantic drama about a young writer in Manhattan that could be a superhero flick if its leading man wore tights. It’s as much a triumph of boyish wish fulfillment as Peter Parker swinging on skyscrapers. Brian (Anton Yelchin) is one of those suffering…

True Story Is Less Than the Sum of Its Parts

The sequence that opens True Story tells you plenty about what you’re in for: A rumpled teddy bear drifts down from our vantage point like a puffy brown snowflake, landing with slow-motion deliberateness on the form of a PJ-clad toddler curled up in a suitcase, seemingly asleep. She’s like an…