Connoisseurs of bad film know that The Room deserves a special place within the canon of so-bad-it’s-good cinema. By now the infamous film’s journey from director/writer/star Tommy Wiseau’s fever dream to the big screen has been well-documented, but nothing captures the story quite like producer and co-star Greg Sestero’s The…
Shocker of all shockers: the Fifty Shades of Grey movie sucked so hard it left a gaping hole where my soul used to be. Not that I didn’t anticipate maximum suckage since the book was also terrible, but I suppose I held out a vestige of hope that maybe the…
Kevin Costner eases white America into the now with McFarland, USA, we hear about the Berlin Film Festival’s highs (Queen of Earth) and lows (Knight of Cups), and dip into the lukewarm waters of a second Hot Tub Time Machine movie. Also, there’s much praise for teen comedy The DUFF and…
Shove off, John Hughes. The DUFF, a high-school comedy by Ari Sandel, opens by declaring that The Breakfast Club’s social categories are, like, way passé. Explains lead Bianca (Mae Whitman), “Jocks play video games, princesses are on antidepressants, and geeks rule the world.” Today, be ye goth kid, science dweeb…
Five years ago, four losers passed out in a jacuzzi, boiled back to 1986, healed their past wounds, rocked out to Poison, and returned to their timeline as gods. Thusly, Hot Tub Time Machine director Steve Pink was hailed as a minor deity: He’d taken a dumber-than-huffing-hairspray premise and made…
American Sniper notwithstanding, the first fresh multiplex trend to emerge in 2015 is Old White Dudes Learning to Share Their World. First came Kevin Costner in the sour Black or White, playing a coot who discovers that black folks love their kids, too, even in South Los Angeles. Then, in…
Sport is a natural metaphor for war. Two sides in two colors face each other on a field, each with their pride and their physical safety at risk. Their leaders scheme plans of attack, drawing arrows toward the enemy’s flank. And backing the teams in the stands — or, more…
“You ready for another miserable video game?” I heard one critic crack to another as I settled in for Jupiter Ascending. “Maybe in March we’ll see this year’s first good movie,” his pal said back, as if Girlhood, Hard to Be a God, Amira & Sam, Timbuktu, Joy of Man’s…
(Heavy spoilers for the pilot; very light spoilers for episodes 2 and 3.) There’s more than one way to start a revolution. You can get high off your own sense of righteousness and authenticity, as celebrity chef and Fresh Off the Boat memoirist Eddie Huang recently did by calling one…
Those more devoted to the genre can debate whether Matthew Vaughn’s Kingsman: The Secret Service is the best comic-book movie of the last few years. What’s beyond argument, however, is that Vaughn has whipped up the most interesting one — and the only one to make ferocious, unsettling art out…
Even fans of Fifty Shades of Grey admit the book is a literary atrocity. Novelist E.L. James’s erotic reveries read like the rantings of a drunk yokel — less “His firm hands cupped my breasts” and more “Holy crap! He’s touching my boobs!” The story is simple: Twenty-one-year-old virgin Anastasia…
Fifty Shades of Grey is opening is nationwide, and in New York, Village Voice film editor Alan Scherstuhl connects via the magic of the Internet with LA Weekly film critic Amy Nicholson discuss the hotly anticipated movie starring Jamie Dornan and Dakota Johnson, adapted from the E. L. James novel…
There’s more than one way to start a revolution. You can get high off your own sense of righteousness and authenticity, as celebrity chef and Fresh Off the Boat memoirist Eddie Huang recently did by calling one of his Asian-American collaborators an “Uncle Chan” in the press. Or you can…
The Dardenne brothers, Luc and Jean-Pierre, are known to explore characters trapped by social and economic circumstance, challenging with curiosity and compassion the assumptions attached to the lives of less-fortunate others. With Two Days, One Night, the Dardennes turn their humanist lens onto someone in conflict with her own humanity:…
Those more devoted to the genre can debate whether Matthew Vaughn’s Kingsman: The Secret Service is the best comic-book movie of the last few years. What’s beyond argument, however, is that Vaughn has whipped up the most interesting one — and the only one to make ferocious, unsettling art out…
BERLIN — Riding in a cab from the Berlin-Tegel airport to my hotel on a crisp, sunny day last week, I passed the magnificent golden angel statue known as the Victory Column, a monument erected by the city in 1874 to commemorate assorted Prussian military victories of the day. But…
In 2004, I worked at a bar in Kansas City’s River Market district. One night, a woman handed me her credit card to pay her tab; I looked at it and said, “HAHA. Your name is Monica Ross!” She made a big, exasperated noise and dropped her forehead to the…
For the U.S., 1968 was a sociopolitical crossroads at which a war, political schisms, activism, youth culture, style, the arts and the widening gender gap all converged. The exhibit 1968: The Year That Rocked History, which officially opens to the public on Saturday, February 7, at the History Colorado Center…
Nicolas Cage is no mere actor — he is a transcendental film force. He’s fully capable of delivering a subtle, deep reading of a character, but he is at his best — at his most Cage — when he is truly cutting loose, chewing scenery and taking no prisoners. His…
For the U.S., 1968 was a sociopolitical crossroads at which a war, political schisms, activism, youth culture, style, the arts and the widening gender gap all converged in a fast moment of change. The exhibit 1968: The Year That Rocked History, which officially opens to the public on Saturday, February…
It’s been fifty years since Jean-Luc Godard said that all a film needs is a girl and a gun. Bet he wishes he could take that back. In the last half-century, there have been countless movies about babes and bullets. Some were great, many were awful, and the vast majority…
From Dave to The Dictator, politicians-replaced-by-doppelgängers has long been a favorite comedy device — yet never has it been employed for more torturous faux-funny business than in Roberto Andò’s Viva la Libertà. Squandering all the goodwill he engendered with 2013’s superb The Great Beauty, Toni Servillo stars as Enrico, a…
