The subject of I Am My Own Wife is German transvestite Charlotte von Mahlsdorf, born Lothar Berfelde in 1928 Berlin, a collector of antiques who survived both World War II and the Communist years in East Germany. But the play is as much about author Doug Wright’s relationship with von…
Aldo and Huey are friends. Huey is divorced, and Aldo — who never gained his father’s affection and is unable to sever the link with his overpowering mother — is unmarried. Huey has been behaving oddly since the divorce, wearing poetic, frill-sleeved shirts and unflatteringly tight black pants, mooning around…
Making theater where there has been little or no theater before — the small towns east of Boulder, for example — is an exemplary activity, and finding new plays to produce is doubly so. But the process is also highly risky. It takes thousands of scripts that are so-so, spotty,…
Impulse Theater. Basements and comedy go together like beer and nuts or toddlers and sandboxes. The basement of the Wynkoop Brewing Co., where Impulse Theater performs, is crowded, loud and energetic. Impulse does no prepared skits, nothing but pure improv — which means that what you see changes every night,…
There are certain actors whose name on a cast list gladdens my heart. The presence of any one of them on stage pretty much assures that I’ll have a good evening at the theater, almost regardless of script, direction or supporting cast. These actors are hugely different in terms of…
Impulse Theater. Basements and comedy go together like beer and nuts or toddlers and sandboxes. The basement of the Wynkoop Brewing Co., where Impulse Theater performs, is crowded, loud and energetic. Impulse does no prepared skits, nothing but pure improv — which means that what you see changes every night,…
As I stood in line for the ladies’ room during the intermission of the Colorado Shakespeare Festival’s The Tempest, the woman in line behind me asked me what I thought of the production. I murmured something noncommital. She herself liked all the actors, she told me, except for Prospero. She…
Impulse Theater. Basements and comedy go together like beer and nuts or toddlers and sandboxes. The basement of the Wynkoop Brewing Co., where Impulse Theater performs, is crowded, loud and energetic. Impulse does no prepared skits, nothing but pure improv — which means that what you see changes every night,…
Something is happening at the University of Delaware’s theater program, from which the Colorado Shakespeare Festival has drawn a fair amount of its acting talent in the past few years. I imagine an elderly English actress running the place, dispensing advice on diction and elocution over china teacups. From the…
The Ballad of Baby Doe. Central City Opera is celebrating the fiftieth birthday of Douglas Moore’s famed piece with a lively, glowing production full of beautifully proportioned sets that look like Victorian Christmas cards, a talented, energetic ensemble and a cluster of glorious voices. The opera conjures up all the…
The Ballad of Baby Doe. Central City Opera is celebrating the fiftieth birthday of Douglas Moore’s famed piece with a lively, glowing production full of beautifully proportioned sets that look like Victorian Christmas cards, a talented, energetic ensemble and a cluster of glorious voices. The opera conjures up all the…
I remember a friend once talking to me about a scene in Shakespeare’s As You Like It. The melancholy nobleman Jaques has just joined his exiled fellows and is excitedly describing a recent encounter: “A fool, a fool, I met a fool in the forest.” In some of the most…
The Ballad of Baby Doe. Central City Opera is celebrating the fiftieth birthday of Douglas Moore’s famed piece with a lively, glowing production full of beautifully proportioned sets that look like Victorian Christmas cards, a talented, energetic ensemble and a cluster of glorious voices. The opera conjures up all the…
Actress Lucy Roucis, who’s playing the witch Addaperle in The Wiz, her thirteenth production with the Physically Handicapped Amateur Musical Actors’ League (PHAMALy), has a standup routine about the pros and cons of her Parkinson’s disease, which she recites softly during a break in rehearsal: Pro: Killer parking spaces. Con:…
The Ballad of Baby Doe. Central City Opera is celebrating the fiftieth birthday of Douglas Moore’s famed piece with a lively, glowing production full of beautifully proportioned sets that look like Victorian Christmas cards, a talented, energetic ensemble and a cluster of glorious voices. The opera conjures up all the…
Because I grew up in London, where the ghosts of Roman soldiers, Saxon traders, Renaissance poets, Victorian merchants, Cockney fishmongers, bishops and queens and kings and murdered princes whispered beneath the pavement, it took me a long time to acknowledge that there was any such thing as Colorado history –…
Love is hard to find. If you find anything — anything at all — remotely resembling it, you should hang on for dear life. Or at least take a long, thoughtful second look, no matter how absurd the thing seems initially or how tempted you are to cut and run…
The Caretaker. The setting is a grimy, one-room flat filled with papers, boxes and mismatched bric-a-brac. It’s an appropriate mole hole for sad, befuddled Aston, who thinks he’s good with his hands, tinkers constantly with a screwdriver and dreams about building a shed in the yard — but it also…
An old woman lies dying as her son sits by the bedside. Tension vibrates between them. Each character offers a poetic monologue that feels a bit forced; when a playwright has someone gaze out above the heads of the audience and wistfully emote, the writing needs to be more powerful…
There are many, many ways for a production to be awful, and The Yiddish Are Coming, at the New Denver Civic Theatre, hits on just about all of them. It’s a cheap little venture — small cast, easy set and costumes, empty-headed concept — put together for the sole purpose…
The Caretaker. The setting is a grimy, one-room flat filled with papers, boxes and mismatched bric-a-brac. It’s an appropriate mole hole for sad, befuddled Aston, who thinks he’s good with his hands, tinkers constantly with a screwdriver and dreams about building a shed in the yard — but it also…
The Tennessee Williams one-acts at Germinal Stage are tone poems, mood pieces, as much about language as they are about character and action. They are also about love, loss and despair. Couples reach for each other but are unable to connect; each play ends in stasis. Like all great writers,…
