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Art. Yasmina Reza’s cool, witty, much-celebrated and much-performed play is ostensibly about art, but it’s more about friendship. At the center of the action is an all-white painting, purchased by Serge, a dermatologist, for a huge sum of money. Perhaps he feels a genuine affinity for the piece, perhaps he’s…

Woman and Scarecrow is far more mesmerizing than depressing

Marina Carr’s Woman and Scarecrow is about the impending death of a character she calls Woman, a woman of spirit and passion trapped in a miserable marriage in rural Ireland. The story isn’t linear, but pieces of the protagonist’s life emerge through the dialogue. Her mother was given to volcanic…

Over the Weekend: Stories on Stage is a telling experience

There’s no expensive special effect or fancy set piece that can match the evocative power of a good storyteller. That was the resounding message at the Stories on Stage “New Frontiers” performance Sunday at the Denver Performing Arts Center. The performance was the third offering in the Stories on Stage…

Now Playing

Art. Yasmina Reza’s cool, witty, much-celebrated and much-performed play is ostensibly about art, but it’s more about friendship. At the center of the action is an all-white painting, purchased by Serge, a dermatologist, for a huge sum of money. Perhaps he feels a genuine affinity for the piece, perhaps he’s…

Grease and ennui: My date last night

A few years ago, my daughter used to be all about Grease, 24/7. She watched it all the time and knew all the songs. So how was I to know that in the ensuing years, wherein she became a full-on middle-schooler and teen-in-training, everything had changed? Yet she still inexplicably…

There’s torture, but The House of the Spirits isn’t torturous

The power of The House of the Spirits, playwright Caridad Svich’s take on Isabel Allende’s celebrated novel, lies in the accumulation of images, actions and passionate words that the play pours out into the audience, as well as the bitter sadness at its heart. Consider the scenes separately, and they…

American adaptation of France’s The Ladies Man is a magnum farce

Charles Morey adapted The Ladies Man from a farce by Feydeau — pretty loosely, by Morey’s own account. In the original, Tailleur des Dames, the beleaguered protagonist is guilty of adultery; Morey, surmising that the more puritanical American audience wouldn’t empathize with an adulterer, makes his hero the victim of…

Zombielesque: The walking dead, undressed, at Bender’s Tavern

Half the reason — at least — to love Halloween is because of all the crazy tie-ins in pop culture, from television specials to candy to costumes. And Burlycute, a local burlesque venture, is getting into the spirit (Ha! Get it?) of things with Zombielesque, which will play for one…

Swing dance tonight at the Mercury Cafe — for free

Hey there, hepcat, wondering why your old lady’s so down on you? Probably because the flame has gone out of your relationship and your wardrobe options have been reduced to sports-themed warm-up pants — but it also might just be because you haven’t taken her out dancing in a while…

This version of The 39 Steps is an uninhibited romp

The 39 Steps is uninhibitedly silly — a romp, a trifle, a takeoff on a 1930s Hitchcock film (which, in turn, was based on a novel by John Buchan) The plot, which didn’t make much sense in the previous versions, has something to do with an attempt by foreign spies…

Now Playing

Art. Yasmina Reza’s cool, witty, much-celebrated and much-performed play is ostensibly about art, but it’s more about friendship. At the center of the action is an all-white painting, purchased by Serge, a dermatologist, for a huge sum of money. Perhaps he feels a genuine affinity for the piece, perhaps he’s…

Mary Wohl Haan takes dance to the streets

Boulder dancer/choreographer and free spirit Mary Wohl Haan began dancing in the street, literally, last Friday morning at 10 a.m. in Boulder in the “neither snow nor rain nor heat nor gloom of night” spirit for the entire month of October. It’s part of her HAAN Dances: 10 @ 10…

Night of the Living Dead comes to “life” at the Bug Theatre

“The horror… the horror — Brraaappp!” No, it’s not Heart of Darkness or Apocalypse Now, it’s the Bug Theatre’s treatment of George Romero’s classic Night of the Living Dead. The line sums up the campy goodness that Director Kristine Hipps and cast bring to their quirky stage adaptation of the…

Despite its cuteness, Dead Man’s Cell Phone fascinates throughout

I wasn’t interested in the discussion about the uses and abuses of cell phones in Sarah Ruhl’s Dead Man’s Cell Phone. To begin with, the theme is dated. Most people don’t use their phones to talk these days; they’re too busy checking e-mail, playing games, counting calories, perusing their calendars…

Cavalia is a sensory experience and a galloping triumph

I’d been enjoying Cavalia all along, but the moment that won me over completely came during the second act, in a piece called “Carousel.” To an exotic beat that sounded rather like Ravel’s “Bolero,” a group of robed people rode white horses through misty silver light, the white-lit outline of…

The floor gets very wet in Moby Dick Unread

When I first attended a Buntport Theater Company production and found six people in the audience — myself and my friend two of them — I’d never have predicted that the troupe would make it ten years. Other smart and talented companies have fallen by the wayside, but the six…