The 1940’s Radio Christmas Carol. For a while, as radio manager Clifton Feddington pitches us questions, hustles his performers and generally works to keep things on track, you can’t help wondering just why you’re watching this show. Clearly, it’s supposed to be a slice of life, as awkward, desultory and…
Marley was dead.” Those are the first words of Charles Dickens’s A Christmas Carol, although he still pops up again a couple of times: Scrooge sees his old partner’s face in the door knocker, looking like “a bad lobster in a dark cellar,” and Marley’s ghost later appears festooned in…
La Cage Aux Folles. This is a big, splashy musical with lots of big, splashy song numbers. But unlike many such musicals, La Cage Aux Folles also has heart, humor and a good story to tell. In a time of intense mean-spiritedness and prejudice, it carries a message of tolerance…
I’ve already seen Buntport Theater’s Titus Andronicus: the Musical twice. But with a few honorable exceptions, theater-going has been pretty dismal this fall, so I figure I’m entitled to a little fun. As we prepare to file in, we see an eccentrically clad woman in the lobby. She’s commenting loudly…
Visiting my daughter and her family after Thanksgiving, I discovered that my two-year-old grandson was entranced by the lights outside of people’s houses. He kept wanting to drive or walk down the street and gaze; he couldn’t figure out why we couldn’t just remove the twinkling strings and take them…
La Cage Aux Folles. This is a big, splashy musical with lots of big, splashy song numbers. But unlike many such musicals, La Cage Aux Folles also has heart, humor and a good story to tell. In a time of intense mean-spiritedness and prejudice, it carries a message of tolerance…
To turn Jane Austen’s Pride and Prejudice into a play, writer Jon Jory chose an approach somewhat reminiscent of reader’s theater, and the current Denver Center Theatre Company production maintains the style. The story of the vulgar Mrs. Bennet’s attempt to marry off her five daughters — and how, despite…
For many years, the Denver Center Theatre Company presented A Christmas Carol every holiday season, but this year, artistic director Kent Thompson has replaced it with a big song-and-dance-laden musical: White Christmas. Both shows are sentimental, feel-good fare; both feature protagonists who learn to renounce their own cynicism and hard-heartedness…
La Cage Aux Folles. This is a big, splashy musical with lots of big, splashy song numbers. But unlike many such musicals, La Cage Aux Folles also has heart, humor and a good story to tell. In a time of intense mean-spiritedness and prejudice, it carries a message of tolerance…
La Cage Aux Folles is a big, splashy musical with lots of big, splashy numbers. But unlike most such musicals, it’s also got heart, humor and a good story to tell. Beyond all that, in a time of intense mean-spiritedness and prejudice in the political arena, this show carries a…
When he was a student at Yale in 1974, Walton Jones created The 1940’s Radio Hour, a tuneful, low-key Christmas charmer. Jones went on to a career in writing, directing and teaching, eventually taking over the theater division at Colorado State University. There he wrote a sequel: The 1940’s Radio…
The Diary of Anne Frank. The Denver Center Theatre Company has mounted Wendy Kesselman’s rewritten version of The Diary of Anne Frank, the 1955 play by Frances Goodrich and Albert Hackett that not only sugarcoated the horror that drove Anne into hiding and eventually destroyed her, but — in deference to…
Forget the 1950s play and movie about Anne Frank’s diary, the generations of schoolchildren assigned to read the book, the myths that have arisen around the image of Anne Frank herself, the controversies about the way she’s been represented. Just focus on Anne Frank’s words. After all these years —…
Sometimes I wonder if there’s a kind of thespian hell, in which actors who are clearly capable of so much more are stuck forever in stale shows as punishment for being bad in some way. If so, Plaid Tidings definitely qualifies. There are a few good things about this holiday…
For Better. Karen has just become engaged to Max. She’s met him face-to-face only once, but they’ve conducted a three-month relationship via cell-phone conversations, texting and instant messaging. Everyone in Karen’s small circle —- sister Francine, brother-in-law Michael, old friend Stuart (who’s secretly in love with her) and Francine’s best…
After you’ve finished your dinner and listened to the usual pre-show stuff about sponsors and visiting groups, out of the corner of your eye you see an old man shlumping around the stage, checking furniture, fiddling with props. Minutes go by without much more happening, and the audience continues to…
By 8 p.m., the place is jammed. Some in the audience look as young as high-schoolers, while others seem to be college students; there are couples, gay and straight, and a scattering of older folk. People greet each other and make plans for post-theater drinks. But they quiet down once…
For Better. Karen has just become engaged to Max. She’s met him face-to-face only once, but they’ve conducted a three-month relationship via cell-phone conversations, texting and instant messaging. Everyone in Karen’s small circle —- sister Francine, brother-in-law Michael, old friend Stuart (who’s secretly in love with her) and Francine’s best…
Karen has just gotten engaged to Max. She’s met him face-to-face only once, but they’ve conducted a three-month relationship via cell-phone conversations, text and Instant Messaging. Everyone in Karen’s small circle — sister Francine, brother-in-law Michael, old friend Stuart (who’s secretly in love with her) and Francine’s best friend, Lizzie…
Macbeth. Setting Macbeth in the old West should work. From what we know, eleventh-century Scotland was a violent and lawless place, a place where the dirty, drunken louts and desperate whores of our own frontier days would fit right in. Unfortunately, director Geoffrey Kent’s vision is far too literal and…
This production of Macbeth, the first directorial effort by actor and fight choreographer Geoffrey Kent, promised to bring new life to Shakespeare’s tragedy by setting it in America’s frontier West — not the West of national myth, enshrined in John Wayne movies, but the grimmer and more violent terrain of…
Guy, now in his early forties, has a habit of loving and leaving his women. He holds out promises of long-term commitment but tends to vanish when things get serious or difficult. Shortly before his planned marriage to an almost-23-year-old nurse, he decides to look up four of his past…
