Just a scant few years ago, “horror musical” wasn’t a big thing. Sure, you had your Rocky Horror Picture Show and your Little Shop of Horrors, but beyond those campy classics, there wasn’t much love for fans of both murder and singing who wanted to see those two things brought…
For a while I try to figure out why I’m enjoying Rancho Mirage — currently having a rolling premiere at Curious Theatre Company and a couple of other companies nationally — so much. True, the dialogue is swift and clever — as Steven Dietz’s dialogue always is — and the…
With nine shows down and three more to go, Dave Chappelle has been running a comedy marathon this week at Comedy Works. With almost no promotion outside of the club’s e-mail list, tickets have been selling out in record time, and no matter how many extra shows are added (sometimes…
Geoffrey Kent’s A Midsummer Night’s Dream was the highlight of this past summer’s Colorado Shakespeare Festival, and now that the festival has just released its schedule for 2014, Kent is already mulling the production he’ll direct next year: The Tempest. “I thought we made some bold choices on Dream,” he…
Whenever someone lays the “I find that joke offensive” line on me, I always silently wonder: Do you really? Or do you just want people to know that you do? Nowhere does this happen more often than in comedy clubs, and it’s no surprise that comedians love to find and…
Sometimes having a kid can slow down a parent’s social life. Christine Winn ran into this problem when she became a mom, and she decided to do something about it. She wrote a play directed not just to mommies, but is accessible to everyone: The Mommy Rants. Winn is not…
With three female comedians, three Davids (Spade, Chappelle, Sedaris) and a whole lot of masked wrestlers on the schedule, November is shaping up to be a delightfully eclectic month for Denver comedy. We have secret shows from Comedy Works, a Scottish wunderkind and another performance on the budding Boulder standup…
Defending the Caveman. This is a low-key, low-budget one-man show, part standup comedy, part general nightclub act. Written by Rob Becker, the piece has been appearing in intimate venues around the country for several years. Becker was inspired by the comment he frequently heard from women that “men are assholes,”…
For those of us who don’t live in the immigrant world and interact with it only rarely and in routinized ways, the realities of immigrant life are hazy. Now and then a news story knifes through the haze: hundreds of workers deported seven years ago after raids at meat-packing plants…
In Julia Cho’s 99 Histories, a young woman returns to her Korean mother’s house. She is pregnant, alone, unsure what to do next. A onetime musical prodigy who stopped playing the violin when she was diagnosed with a never fully defined mental illness, she has broken up with Joe, the…
Reading is about more than following a narrative or learning facts; it can also be a profound shared experience that culminates in a better understanding of ourselves and each other. In that spirit, welcome to the Westword Book Club, a weekly feature celebrating the books that inspire Denver artists.
“The New York Times calls it ‘You had me at Wes Anderson,'” say the credits of Saturday Night Live’s recent Wes Anderson horror-film parody, The Midnight Coterie of Sinister Intruders. By assembling the usual suspects of every Anderson film (pastel aesthetics, mod soundtrack, Owen Wilson) while mocking the public’s appetite…
While the surge in popularity of the Denver comedy scene can be mostly attributed to the catalogue of top class talent in the city, a lot of that talent wouldn’t be reaching as wide an audience without Sexy Pizza’s Kayvan Khalatbari. The marijuana activist and Denver Relief MMJ dispensary founder…
Defending the Caveman. This is a low-key, low-budget one-man show, part standup comedy, part general nightclub act. Written by Rob Becker, the piece has been appearing in intimate venues around the country for several years. Becker was inspired by the comment he frequently heard from women that “men are assholes,”…
I’m not giving anything away if I tell you that Philip Dawkins’s Failure: A Love Story is about three sisters — the Fail sisters — who all die in the year 1928, but not before each in turn has fallen in love with the wealthy, affable and apparently aptly named…
In Yasmina Reza’s Art, four wealthy, educated men fall out because one of them has acquired an all-white painting. The discussion in Catherine Trieschmann’s The Most Deserving isn’t conducted in such polished sentences, and the cast of characters is rural and far less privileged than Reza’s; even Edie, the possible…
Unless you are the star of a Broadway production, you may never be this close again to the fabric that weaves a theatrical fantasy. Today the Denver Center Theater Company will host Theater Threads, a luncheon that’s a fundraiser for its arts education program. Diners will be treated to an…
Reading is about more than following a narrative or learning facts; it can also be a profound shared experience that culminates in a better understanding of ourselves and each other. In that spirit, welcome to the Westword Book Club, a weekly feature celebrating the books that inspire Denver artists.
Praise the Lord! When the national tour of The Book of Mormon comes back to the Buell Theatre tomorrow for a three-week run that continues until November 24, it will bring back the ticket lottery that was so popular the first time around. A limited number of tickets for each…
After six grueling months of weekly competition that whittled 140 comics down to one, the 2013 Comedy Works New Faces Competition has a winner in Jordan Doll. He’d delivered heavily talked-about performances at UMS and High Plains, and there had been a lot of hype in the comedy scene that…
Vigil opens with an old woman in a bed and a looming figure in the shadows of the doorway behind her. It looks like a true Halloween scenario — the big bad wolf approaching the helpless grandmother — and this impression isn’t altogether off, because the intruder is indeed a…
After the Revolution. Playwright Amy Herzog enters a very specific world in After the Revolution: the passionate, close-knit, hyper-idealistic world of Jewish Communism in New York City during the early decades of the twentieth century. For these activists, Soviet Russia was a model. But when Khrushchev denounced Stalin during the…
