Artopia Designer Anne Fanganello on AnnaFesta, FestaSports and a Perfect Fit

Anne Fanganello isn’t afraid to shake up the status quo with her fashion. Her two lines – the couture AnnaFesta and athletic FestaSports – aim to make women of all shapes and sizes, especially plus sizes, feel confident and comfortable in their own skin. You can see her work in action at the Whiteout fashion show at Westword’s Artopia, set for February 25 at City Hall.

Review: Month of Photography Off to Strong Start With Two Arvada Center Shows

March marks Denver’s biennial Month of Photography, a tremendously successful, multi-venue event founded by photographer and photography advocate Mark Sink in 2004. Each iteration of MoP sees many of the area’s exhibition spaces mounting shows at least tangentially related to photography. The Arvada Center has already opened two of them: Double Exposure: An Exhibition of Photography and Video, a large group show, and Stop/Look/See: Photography by James Milmoe, a major solo.

Colorado Ballet Invites Recent Refugees to See Ballet MasterWorks

The Colorado Ballet has donated tickets to a Thursday, February 16, matinee performance of Ballet MasterWorks to roughly fifty recently arrived refugees from countries including Somalia, Yemen, Iraq, Syria and the Republic of Congo. The refugees will attend the performance alongside more than 1,000 students and teachers. The ballet connected with…

Review: Daisy Patton and Margaret Lawless Alter Photos at Michael Warren Contemporary

Michael Warren Contemporary, one of the city’s top galleries, often presents two exhibits back to back, as is the case right now. The star attraction, Throw My Ashes Into the Sea: New Works by Daisy Patton, takes over the sprawling multi-part front space, while the gallery’s companion solo, Creative Destruction: New Works by Margaret Lawless, is installed in the more intimate gallery at the back.

Blind Photographer Ted Tahquechi Shoots Bodies Like Landscapes

Photographer Ted Tahquechi lost most of his vision in a car accident in 1999. Up until the car wreck, he had shot photos since attending college in the 1980s. After the crash, “I didn’t pick up the camera. I didn’t do anything at all,” he says. “I was feeling sorry for myself and feeling disappointed with where I was in my life.”

Winter in America II Sparks Dialogue Through Street Photography

Take a quick scroll through the #WIA2 hashtag on Instagram, and you’re awash in a thousand perspectives of what Winter in America looks like. The hashtag was started by friends and photographers Armando Geneyro and Blake Jackson, co-creators of the loose-knit TheyShootn collective, which invites photographers from across the world…

Review: Michael J. Dowling Erases and Marks Old Master Classical Imagery

Colorado artist Michael J. Dowling, the subject of a striking solo, You Already Know How This Will End at Leon Gallery, has built a solid reputation based on drawings, paintings and now sculptures that have an old-master classicism that he intentionally undermines through additions and subtractions, what he calls “redactions.”

Roger Gastman on Wall Writers and the Roots of Graffiti Art

Even Roger Gastman agrees: He’s the foremost authority on graffiti in America. But unlike your usual scholar, who stitches together history through books and research, Gastman knows because he’s lived it, beginning in the street and, later, as an urban anthropologist documenting it in print, through photography and on film…