The Denver Art Museum goes big with Daniel Richter

Christoph Heinrich, the Denver Art Museum’s curator of modern and contemporary art, must be a workaholic. In recent months, he’s unveiled two new dedicated spaces: a paper-works gallery in the museum’s Hamilton Building and a new-media space called the Fuse Box. Then he took on the ambitious reinstallation of the…

Ann Daley leaves the Denver Art Museum

I was really disappointed to learn that Ann Daley (pictured), associate curator of Western art at the Denver Art Museum, had decided to step down after more than a decade in her present post and after having worked for the museum for a lot longer than that. Over the years,…

Dave Yust’s Arvada Center show is well rounded

With no exhibition director on staff at present, the art program at the Arvada Center for the Arts and Humanities is essentially rudderless. Executive director Gene Sobczak is running the program in his spare time, but he is no art expert, and he’s busy with other duties. In addition, Sobczak…

Now Showing

Adam Helms. This MCA solo is the New York artist’s first museum show anywhere. In his works on paper and in a monumental sculpture that conjures up a shooting blind, Helms explores political themes, especially armed struggle. He takes images of different radical and extremist movements from different places and…

Size Matters and I Don’t Feel At All Like I Fall

It’s amazing how inexhaustible abstract expressionism is as an aesthetic ideology, both in its attenuated original form — going strong for sixty years now – and in its heir, neo-abstract expressionism. Edge Gallery (3658 Navajo Street, 303-477-7173) is currently hosting a pair of exhibits that highlight this long-lasting appeal. In…

Margaretta Gilboy at Carson/van Straaten

In many ways, magic realism anticipates conceptual realism, even though it’s not actually an early form of the cutting-edge style. Boulder has been a center for magic realism for decades (I guess art really does imitate life), in no small part because of Frank Sampson and Luis Eades, artists who…

William Stockman focuses on the figure at Ironton Studios

Over the last quarter-century, old-fashioned representational imagery has supplanted abstraction, which had dominated most of the cutting-edge art of the twentieth century and become the preeminent expression in the fine arts internationally. It’s not that abstraction is passé; it’s just that more and more artists have embraced the figure to…

Steven Turner leaves Historic Denver behind

Last week, the Colorado Historical Society announced that Steven Turner will become the director of the State Historical Fund. That means that Turner is resigning as the director of Historic Denver. The promotion is good news for those of us who appreciate the old buildings of Denver. Not because Turner…

The late Dale Chisman put Denver in the picture

On September 3, I made my way to the Museum of Contemporary Art/Denver as I’ve done so many times since the new building opened last year. But this time I wasn’t in pursuit of an art show. Instead, I was headed, along with a few hundred others, to the memorial…

Mark Travis: A Memorial Exhibit at Space Gallery

The death last winter of Mark Travis, a contemporary artist who made his reputation in Denver’s go-go scene of the 1980s, left a big question mark regarding a scheduled exhibit of his work. His representative, Michael Burnett of Space Gallery (765 Santa Fe Drive, 720-904-1088, www.spacegallery.org), had asked Travis to…

Christo and Jeanne-Claude have Denver wrapped up

Ever since the Denver Art Museum unleashed the Daniel Libeskind-designed Frederic C. Hamilton Building in 2006, the rest of the top galleries and art centers around here have felt the heat. To compete, they’ve presented one great show after another, seeking to outdo each other. And showing up the DAM…

The Electric Fountain at City Park

I’m a political junkie, so having the Democratic National Convention here was a treat. And since Denver strategically spiffed up over the last few months in preparation, it was a delight to see our beloved city looking sensational on TV and giving us some civic pride. There were glamour shots…

The Denver Art Museum likes its figure

The Modern and Contemporary department at the Denver Art Museum gained official status in 1978 when the institution hired Dianne Vanderlip to head it up. During her nearly three decades in the post, Vanderlip facilitated the acquisition of thousands of works for the permanent collection. But between shopping sprees, she…

The Colorado Springs Fine Arts Center welcomes a new director

Last week, the Colorado Springs Fine Arts Center concluded its nearly year-long search for a new director by hiring Sam Gappmayer (pictured). The job represents a big promotion for Gappmayer, who is currently the director of the much more modest Sun Valley Center for the Arts, in Idaho. Second only…

Denver’s Civic Center is camera-ready

I’ve long thought of Denver as being the Rodney Dangerfield of American cities, because we just can’t get no respect. But ever since the Democrats announced they would hold their national convention in town, those of us who live here are starting to feel more like Sally Field, because it…

Gary Sweeney’s Villa Park

Although he moved away ten years ago, Gary Sweeney has a long and committed relationship with Denver. Sweeney is a conceptual artist with a taste for pop imagery, as seen in his best-known local creation, the pair of decorated maps titled “America, Why I Love Her” at Denver International Airport…

Andenken and Spark galleries get the words out

Don’t count me among the biggest fans of what’s called “street art,” a loose category that runs the gamut from graffiti to wall murals, with the former often being used to vandalize the latter. Vandalism isn’t the biggest problem with street art, though; the key issue is that it almost…

Dialog:Denver at Robischon Gallery

The one thing about Denver that I really can’t stand is the relentless lack of support for local artists among the entities that could make a difference. Not only does this wrongheaded approach cheat the artists, but it shortchanges the city, too. The latest affront is Dialog:City, which is being…

Gwen Laine overtakes Carson/van Straaten Gallery

Denver artist Gwen Laine is one of the four artists selected to help celebrate the fortieth anniversary of the Foothills Art Center in Golden (see review, page 46). But she’s also completely taken over the Carson/van Straaten Gallery (760 Santa Fe Drive, 303-573-8585, www.sandycarsongallery.com) with her solo, Passing Through. The…

Patrick Marold

Sculptor Bob Mangold moved to Denver with his wife, Peggy, about fifty years ago and helped to lay the groundwork for the contemporary sculpture scene here today. At the time, sculpture was a fairly undeveloped medium compared to painting, printmaking and even ceramics. There are still many more painters than…