Stanky Pockets

Echoing a variety of artists, from Blues Traveler and the Black Crowes to Steve Kimock and the New Riders of the Purple Sage, Stanky Pockets nods to its roots-leaning influences while creating a sound of its own. On the band’s debut, vocalist and harmonica player Miles Guzman throws down, exhibiting…

Au Revoir Simone

Au Revoir Simone’s synth pop is as gorgeous as the three brunettes that make up the band. The Casio-centric outfit from Brooklyn began in 2003 when Erika Forster (daughter of e-town host Nick Forster) met Annie Hart on a train from Vermont to New York. Delivering lustrous harmonies, Au Revoir…

Justin Townes Earle

Singer-songwriter Justin Townes Earle’s hilarious outgoing voice-mail message, which juxtaposes a segment from Roy Orbison’s “Only the Lonely” with the declaration “I just want you to know you smelled really good last night,” may not provide a window into his soul, but it offers a glimpse into his appeal. The…

Explosions in the Sky

To their credit, the members of Explosions in the Sky didn’t change the band’s name after 9/11. Instead, they kept on making the kind of explosive, pyrotechnic music that inspired it in the first place. Although the moniker might suggest an emo or post-hardcore sound, this Austin-based outfit is closer…

Dengue Fever

When Dengue Fever first surfaced circa 2003, its Westernized take on Cambodian pop music from the Vietnam War era seemed like a wonderful novelty — one apt to fascinate briefly and then fade away. Instead, the group has managed to evolve from the oddest of cover bands to a supplier…

Carbon/Silicon

Over thirty years ago, long before Mick Jones joined the Clash and Tony James teamed up with Billy Idol in Generation X, the pair played together in the short-lived punk band London SS. Five years ago, the two reunited for a new project called Carbon/Silicon. Inspired by their shared love…

Q&A with Carbon/Silicon’s Tony James

Having once played together in a short-lived punk band called London SS, Mick Jones and Tony James have been friends for thirty years. After embarking on successful careers with the Clash, as well as Generation X and Sigue Sigue Sputnik, respectively, pair reconvened in 2002 to form a new project…

Q&A With Vampire Weekend’s Ezra Koenig

Right now, the most talked-about band on the rise among the nation’s critical taste-makers is Vampire Weekend. But in Westword’s March 20 profile of the New York-based group, and in the following Q&A, lead singer/guitarist Ezra Koenig talks for himself. Koenig begins by sketching in details about his background, including…

Q&A With Serj Tankian

These days, performers often prefer to conduct interviews via e-mail instead of taking part in a telephone chat. There are plenty of good reasons for this switch from their perspective, even if we assume that the individual in question is actually the one sitting at the keyboard (as opposed to…

The Stooges Cover Madonna and Other Assorted Goodies

Here’s a selection of the best of last week’s music blogging from around the Village Voice chain: You’ve heard of this South by Southwest thing, right? The Village Voice sent some folks who reported on things like the giant pile of crap picture here, a killer set by the Constantines…

SXSW: Denver Represents

Alan Andrews and company deliver a Photo finish. Slide Show If you could see pretty much any band in the world that you wanted to right now or to catch groups that you can see at home any old time, which would you choose? No brainer, right? It was for…

Vintage Q&A With Lil Jon

Although crunk is no longer the trendiest form of hip-hop, Jonathan Smith – better known as Lil Jon, the self-proclaimed king of crunk – continues to flourish anyway. As a producer, he’s still churning out radio-dominating hits such as Baby Bash’s ubiquitous “Cyclone” while expanding his empire beyond the music…

SXSW: Motorhead at Stubbs

…wasn’t nearly as loud as expected, but this kid was prepared. The last time I saw Motorhead was a few years back at the Ogden Theatre with Corrosion of Conformity. Stupid me, I forgot to bring earplugs. I knew better. Not sure what the hell I was thinking. Anyhow, about…

Bandicoots: Defending Denver

Dear Bandicoots, See comments from “Chad” here — in which his close to 700-word diatribe calls into question a “thriving” Denver scene and forces me to put South Broadway culture into context. Chad, I feel your frustration. As someone who has given his blood, sweat, and tears to the Denver…

Mile High Makeout: Opening My Eyes

Just when I think I really know the Denver music scene, something happens to humble me and make me realize how much I have to learn. As Depeche Mode said, it’s a lot like life. Last weekend, I had the honor of participating on a panel at the third annual…

45 Second Reviews: Jaymay, Fat Joe, Ferras, Paul Benton

Paul Benton Grey Bridgetone Records 01:00-01:45 of “I Only See You” I think the lyrics “I only see you in all that I do, to the rest I am blind,” clearly exemplifies Mr. Benton’s knack for writing crap lyrics where he is that friend that we all have that gets…

Justice for All

Xavier de Rosnay’s honesty is refreshing — even if the words he’s just uttered won’t exactly go down as the most artistically inclined assertion ever made. “We make electronic music,” the musician confesses, “because it’s accessible and easy.” Rosnay is one half of international dance-floor phenom Justice, whose suave yet…

Say Hi to Something New

Over the years, Eric Elbogen, who performs under the Say Hi moniker, hasn’t always shared the straight dope about his music. The biography on his website, www.ilikesayhi.com, is a masterpiece of deadpan obfuscation (it begins with the claim that “Say Hi simultaneously defies and enforces physics” and gets more incomprehensible…