Tonight: One Night of Queen at the Bluebird

There is only one Freddie Mercury, and there will never be another performer like him — but Gary Mullen is an excellent reminder of why and how Queen changed the landscape of modern music forever. Along with his band, The Works, Mullen brings Mercury and company’s epic existence back to…

Michael Gira of Swans on the new album and his time as a bassist

Emerging from the no-wave scene in the New York underground in 1982, Swans became known for music that was forbidding, terrifyingly intense in its execution and lyrically uncompromising in its depiction of the darker side of human existence. Although an influence on industrial music and much of post-punk thereafter, Swans…

Rick Kulwicki memorial slated for this morning

The Backbeat flag is flying at half staff today. In case you haven’t heard, services for Rick Kulwicki, the legendary Fluid guitarist who passed away last week, are being held at Fairmount Cemetery (430 South Quebec Street) this morning at 10 a.m., with a viewing taking place at 9 a.m…

Denver musical acts to watch in 2011

Every year, a new group of artists and acts makes its way to the head of the class. Some are more advanced than others; they’ve been steadily building their names at shows, creating a healthy buzz. Others have been toiling in virtual obscurity, holed up in basements or apartments, driven…

Miracleman, March 2 at Rhinoceropolis

Miracleman started life as the British Captain Marvel in the 1950s. But he got a makeover in the early 1980s when he benefited from the brilliantly dark imagination of Alan Moore. Later, Neil Gaiman picked up where Moore left off and imbued the series with his own genius for the…

Elitist

You could be excused for thinking every metal band out of L.A. did its time on the Sunset Strip. Thankfully, Elitist is too young for all that nonsense and isn’t really made from the same stuff anyway. Sounding like a true alloy of crust punk, hardcore and death metal, Elitist…

Immortal

With vocals that sound like an evil, croaking frog over a torrent of percussion and an assault of guitars, and with a bass that has dynamics not unlike nests of churning mutant wasps, Immortal helped to define the sound and aesthetics of Norwegian black metal from its earliest days. While…

Linkin Park

Linkin Park, once a cautionary tale on how rap rock could go wrong, reinvented itself with last year’s A Thousand Suns. The reinvention garnered Radiohead and Pink Floyd comparisons, and, maybe even more amazingly, that’s what the guys were going for. Whether it qualifies as daring to mine either band…

Yao Guai

“Boo” starts this odd collection of ambient tracks from David Britton with what sounds like mechanical cicadas in the distance under the strains of a ukulele treated with an effect to sharpen its tone while trying to find a melody. Each song is an exercise in drones both ambient and…

Fred Hess Big Band

After releasing more than a dozen albums with smaller ensembles, saxophonist Fred Hess released his first big-band recording, Hold On, in 2009. While Hold On represented Hess’s love for the big bands of the 1950s, it also had some forward-thinking moments. Hess and company push the envelope even further with…

Babah Fly

With Trealyph 3, Babah Fly aims for the fundamental hip-hop lover in us. He’s a true creative master and has an obvious ear for beats and production, and those are the things that end up standing out the most. Although Fly has a unique flow, he doesn’t have the strongest…

Tantric Picasso

From the way the first cut, “Cherry on Top,” opens, it’s pretty clear that Tantric Picasso’s Life’s a Bitch and Then You Die So Why Not Laugh Until You Cry is going to be a bizarre journey. Layers of indecipherable voices over a swinging beat and walking bass line soon…

Abe Vigoda brings its new, polished pop to the hi-dive

After starting Abe Vigoda in high school, Michael Vidal and Juan Velazquez took their fledgling project and unintentionally helped spawn the so-called “tropical punk-rock” genre. The band’s joyous live shows and reverb-drenched guitar sound — which is part surf rock, part psychedelic and part noisy punk, among other things —…

Dubtribe Sound System, February 26 at Casselman’s

You can’t have a discussion about tribal house without mentioning Dubtribe Sound System — the outfit hailing from San Francisco and comprising Sunshine and Moonbeam Jones — which achieved mainstream crossover success with Bryant Street in 1999. Best known for such tracks as “Do It Now,” “Sunshine’s Theme” and “Mother…