Midnight has finally come. For 11 hours straight on Saturday, Backbeat Online had Red Rocks surrounded, an army of writers, photographers, and other assorted hooligans braving a piss-reeking media tent to bring you live coverage of Monolith Festival. Day 1 of the fest starred Devotchka, Vampire Weekend … pretty much…
LOCALS ONLY For the last year and a half, Infinite Mindz has been on a tear locally. Since the release of its debut album, Monkey Rebellion Musik, last year, the group has been in demand for shows, as well as being nominated in the Best Hip-Hop Group category at this…
Richie Hawtin September 11, 2008 Beta Better than: anything else you can do with your body besides sex. There are no words. Reviewing a DJ performance is difficult, at best. There aren’t exactly “songs” to point out, and even if I could catalog every track played, it wouldn’t mean anything…
Portugal. The Man was born in Alaska, but it might as well be a Denver band, with how often it seems like the cats come through here, how much we’ve embraced them and how bro’d down they are with locals like the Photo Atlas, whom they toured with last year…
So you’ve seen the shirts and hats all around Denver and in various parts of the country — they’re pretty identifiable, particularly the hats, whose brim is emblazoned with DSP (Denver Skate Punk) in large white letters. Well, now, thanks to Ben Owens over at Super Screenprint, we can see…
With Monolith Festival, and one of the year’s top lineups, headed to Red Rocks this weekend, we can’t help dream of a live recording of the fest’s top acts. Red Rocks, after all, has been a popular place to record albums over the years. Click for 14 of the most…
Although we suspected this last week when we spoke with David Marion and later when we received the advance of his band’s new album, we got confirmation from Marion at the group’s show at the Marquis this past Friday: The band heretofore known as Fear Before the March of Flames…
I’m pretty good at naming a tune within a few seconds, but sometimes I don’t have the slightest clue what the hell is playing, especially if it’s hip-hop, R&B or techno. Over the past few months, I’ve come to rely on my iPhone and its Shazam application to identify songs…
What are you doing this weekend? If you’re a music fan, I’m guessing you’ll be at Red Rocks for Monolith. And if you’re not planning on heading up there, you should: This year’s lineup is simply murderous. There are so many killer acts playing, I’m getting a migraine just trying…
A lot of former emo-turned-indie-rock kids take a bad turn when they get bored with the artistic limitations of punk rock’s bastard child. Fortunately, Young Coyotes (due at the Bluebird Theater on Friday, September 12) didn’t slide into slackardly alt-country or half-assed neo-classic rock. Rather, these guys wisely chose to…
Heart Gone Sober, Jason Vigil’s last album (released in 2006), was so gosh-darn earnest that anyone who’s even mildly cynical probably recoiled like a vampire in the sunlight at the sound of it. Misanthropes should know, then, that Sometimes Always, the subject of a Saturday, September 13, CD-release party at…
On this latest To Be Eaten release, the band proves once again that it can play razor-precise riffs and rhythms while infusing each song with a level of nuance and atmosphere not often heard in anything this heavy. The guitar and rhythms interlock for a savage, almost stridently brutal sound,…
For the bulk of their band’s career, the members of DeVotchKa have been viewed as curious outsiders because of their unorthodox instrumentation and their deliberate, unlikely melding of disparate styles. In searching for ways to describe the act’s unique, rapturous sound, ambitious music scribes across the country have crafted effusive…
Divine inspiration brought the Blind Boys of Alabama together in 1939 at the Alabama Institute for the Negro Blind, a school that taught blind youth of the beleaguered South Braille and trained them for rudimentary careers making broom handles and chair bottoms. Leader Jimmy Carter is the sole remnant of…
The backlash against the sort of angsty emo that’s dominated the modern-rock landscape in recent years is in full swing, and Danger Radio’s definitely dialed to the current wavelength. Although the band, joined on this date by Farewell, Brighten and Red Care Wire, hails from Everett, Washington, in the middle…
There’s no right way to make a splash in the world of music, and Portland’s Slants definitely didn’t take the route one would expect of an electroclash-glittered post-punk band. Touring the U.S. on the strength of its draw at anime conventions, the band has reached a broad fan base most…
With its fusing of the best of analog and early digital synth-based music with a modern aesthetic, Baltimore’s Future Islands might seem like a contemporary version of new wave to an uninformed listener. Really, though, the act is a closer musical cousin to Architecture and Mortality and Dazzle Ships-era Orchestral…
Alicia Keys is the musical equivalent of a five-tool player in baseball: She excels at singing, writing, playing, producing and performing in concert — and as a bonus, she’s the rare diva who’s blessed with both a photogenic exterior and a brain that can be described as “fully functioning.” No…
This is exactly the record Metallica needed to make in 2008. Real metal’s back, and sure, younger bands have rage and technical aptitude on their side, but Metallica’s riffs can level skyscrapers. Opening trilogy “That Was Just Your Life,” “The End of the Line” and “Broken, Beat & Scarred” combines…
When fans think of 16 Horsepower founder David Eugene Edwards, the singer-songwriter behind Wovenhand, “accessibility” isn’t the first word that leaps to mind. Nonetheless, Ten Stones comes across as quite user-friendly — by his standards, at least. Edwards’s key collaborator appears to be Norway’s Emil Nikolaisen, whose brawny guitar helps…
In 1965, after attending college in Seattle, a 22-year-old Larry Coryell headed to New York. He stopped in Denver first, though, where he heard the organ trio was all the rage. As he made his away around Five Points jazz clubs asking to sit in, he met drummer Buddy Miles…
Last year, Radiohead released In Rainbows on its website using a pay-what-you-wish model. A few months later, Nine Inch Nails released Ghosts I-IV employing a similar scheme, only with more business savvy: There was a tiered scale with prices ranging from free (low-quality digital audio files) to $300 (which included…
