Slayer

No band has stayed good as long as Slayer, and any argument to the contrary pits the thrash-metal kings against the Rolling Stones, the Red Hot Chili Peppers and Sonic Youth. Maybe Motrhead. Christ Illusion improves on 2001’s clunky God Hates Us All, the low point of a 24-year run,…

The Velvet Teen

With its latest effort, the Velvet Teen continues to follow an artistic trajectory similar to Radiohead’s. Starting out in 2000 as an artsy-poppy-emotive rock group, the ambitious band spends no time looking backward for inspiration. From the pop perfection of Comasynthesis and The Great Beast February to the dramatic darkness…

Halden Wofford & the Hi-Beams

The Hi-Beams’ take on twang is decidedly retro. Halden Wofford has that high-and-lonesome vocal sound down cold, and instrumentalists such as dobroist/pedal-steel expert Bret Billings and upright-bassist Ben O’Connor swing in ways that modern Nashvillians eschewed long ago. Fortunately, though, the combo’s latest disc is anything but musty. Country music…

Rose Hill Drive

Six years after forming and three years after exploding onto the scene, Rose Hill Drive has finally issued its debut full-length. Similar to the way that Ford has retrofitted the new Mustangs to recall the classic look of the fastback coupes, Rose Hill Drive is a riff-driven throwback to the…

Listen Up

Dave Holland Quintet, Critical Mass (Dare2 Records). Bassist Dave Holland, who emerged from some of Miles Davis’s top ensembles, may be jazz’s most underrated bandleader. His latest is a typically consistent effort that allows collaborators like trombonist Robin Eubanks to shine even as it showcases Holland’s graceful songwriting and unimpeachable…

Bruce Cockburn

Laughs are in short supply on the average Bruce Cockburn disc. He’s a serious fellow, whether he’s addressing personal concerns or global issues. But he’s gotten away with dourness for decades, thanks to a handful of specific, and very impressive, skills; his lyrics are extremely precise and often poetic, and…

Jeff Tweedy

When Jeff Tweedy talks, people listen. And if they don’t, well, he makes them. Just ask anyone who caught the cantankerous alt-country troubadour’s solo show at the Gothic Theatre last February. Dressed in Bob Dylan’s beard, Tweedy brooded across the stage with his guitar and harmonica, demanding absolute silence from…

The Lavellas

Birthed five years ago in Denver but now based in Chicago, the Lavellas are an atmospheric pop band in the best sense. Instead of taking cues from Radiohead and Coldplay, like the bulk of their peers, they draw inspiration from Catherine Wheel, Slowdive and Swervedriver. Boasting a dreamy wall of…

Red Hot Chili Peppers

If ever there was a band that didn’t seem built for the long haul, it’s the Red Hot Chili Peppers. When they started out in ’80s-era SoCal, the Peppers were a gimmicky concert phenom thanks to (literally) balls-out performances, but most of their material didn’t hold up once the socks…

Ozomatli

Think about South Florida’s intimate relationship with Cuba and the Caribbean, and the influence it’s had on that region’s music scene. That same sort of cross-cultural, stylistic leg-humping goes on in Southern California across the Mexican-American border, and there’s no better example than L.A.’s Ozomatli. The bilingual, genre-smashing, Latin-funk-rock-rap outfit…

Envy

Steven Williams, the owner of Midwest hardcore label Init Records, once tried to coin the term “emo violence” as a substitute for the now-convoluted screamo subgenre. At the time, it was tough for independent hardcore acts to differentiate themselves from the growing status of their sissy-pants mainstream rivals. The alternate…

Mika Miko

I was once a thirteen-year-old girl. No lie. It totally happened, and I can prove it by deciphering C.Y.S.L.A.B.F. — the acronymic release from Los Angeles-based all-chick band Mika Miko. Any girl that survived middle school knows the basics of gossip: a slip of notebook paper exchanged between classes, scribbled…

New Rome

Patrick Houston is back. Finally. For years, the fleet-fingered guitarist has been bearing the burden of being an ex-member of Angels Never Answer — a band ahead of its time that imploded before realizing its full potential. Although Houston has spoken of new projects and bandmates in the past, things…

skylab2000

In the electronic scene, where “live” usually means “laptop,” L.A.’s skylab2000 is truly an anomaly. The man behind the Skylab moniker — Dennis Barton — creates sounds live in the moment without relying on loops or pre-recorded instrumentation, allowing the vibe of the crowd to dictate where the music goes…

Common Wealth

Could there be a worse name for a guy in a band?” asks John Common of his surname. “Look up ‘common’ in the dictionary, and here’s what it says: normal, plebian, standard…having no special distinction, coarse.” Ironically, none of those terms come close to describing Common. In fact, his latest…

Defecting!

If misspelling Shudder to Think’s name in my Jeremy Enigk piece a few weeks ago wasn’t enough to get my hipster credentials revoked, this ought to do the trick: I’m developing an affinity for country music. And I’m not talking about the classics (you know: Hank, Buck, Merle, Waylon, George,…

Get It Tron

Genghis Tron’s fans must have strong spines, because the group’s habit of abruptly switching from melodic electronic passages to hardcore explosions is capable of producing whiplash in concert settings. Too bad the musicians don’t get more of a chance to enjoy seeing dozens of necks cracking simultaneously. “The music is…

Fight to the Def

Two bands, one stage, one burning question: Who would win in a celebrity death match between these two ’80s icons? For the curious, here’s the tale of the tape. Why Journey Will Win: With hits like “Don’t Stop Believin’,” “Any Way You Want It,” “Open Arms,” “Wheel in the Sky”…

Supply and Demand

Five years and as many releases into its existence, Supply Boy is still somewhat of an obscurity in the Mile High City, which is unfortunate in light of the act’s startlingly sophisticated musicianship and its penchant for creating smartly crafted pop songs that don’t fit neatly into any specific subgenre…

What Made Milwaukee Famous

Dramatic, cinematic and unflinchingly poppy Austin quartet What Made Milwaukee Famous writes intelligent songs, plays them with heart-stopping passion and never makes the mistake of taking itself too seriously. While Schlitz might have given the band its name, Michael Kingcaid, Drew Patrizi, John Farmer and Jeremy Bruch are clearly under…

The James Gang

So this is what the concert industry’s come to: a large-scale reunion tour for a relatively minor band that’s been all but forgotten for decades. Granted, the James Gang’s most notable lineup produced one future star, Joe Walsh, and a couple of good tunes, “Walk Away” and “Funk #49.” But…

Drive-By Truckers

When the Black Crowes bring their reliable brand of anachronistic rock to town this weekend, the true draw of the evening will be supporting act Drive-By Truckers. Although often compared to Lynyrd Skynyrd by lazy scribes who can’t see past the triple-guitar threat of Patterson Hood, Mike Cooley and Jason…