Will cloud storage help indie labels?

We’ve already taken a look at the big three cloud services from Apple, Amazon and Google, but what does any of this mean to local bands and labels? With talk of Apple paying $100 million to the major labels for the rights to store content in the cloud and the…

Tonight: Bone Thugs N Harmony at the Gothic

Forming in the early ’90s, Bone Thugs N Harmony (performing tonight with FoodChain, Input and Fresh Breath Committee at the Gothic Theatre) has roots that run deep in rap’s history. Mentored by Eazy-E, the Cleveland dudes also collaborated with 2pac and Notorious B.I.G., and picked up a Grammy along the…

Stephen Marley

Ziggy, Julian and Damian “Jr. Gong” Marley might get all the attention, but behind the scenes, Bob and Rita’s second-oldest son, Stephen Marley, has been working on his own legacy. He co-produced most of Damian’s 2005 breakthrough album, Welcome to Jamrock, and is slated to release two full-length sets this…

Review: Willie Nelson at Red Rocks, 6/21/2011

WILLIE NELSON at RED ROCKS | 06.21.11″While Willie Nelson is still a solid player and performer, seeing him these days is about nostalgia for a lot of people. These aren’t the best versions of songs like “Crazy” and “Aint It Funny,” but seeing Nelson up on stage performing them is…

Tonight: Natasha Bedingfield at the Gothic Theatre

Long before Natasha Bedingfield (playing tonight at the Gothic Theatre with Kate Voegele and Andy Grammer) wrote a song (“Unwritten”) that became burned into the American pop culture consciousness as the theme song for The Hills in 2006, the singer-songwriter was achieving great success in the UK…

Review: Matt & Kim at the Ogden, 06/21/11

MATT & KIM @ THE OGDEN THEATRE | 6/21/11 I did not have a good time at Matt & Kim. Not to say that nobody did. There were certainly members of the crowd who seemed to enjoy themselves, their excitement worth two hands in the air. But, in the eloquent…

Stick & Poke Round 2 gets all evil tonight

Because of the old piece of folded-paper designer Tony Farfalla’s used as a background, this sucker looks like something you’d dig up out of some crazed Renaissance doctors hand if Maurice Sendack travelled back in time to create handbills for exorcisms, and the double-headed demon certainly helps add to the…

Critic’s Choice: The Skivies, June 25 at the Meadowlark

Even though these jokers have taken at least a year off, anyone lucky enough to have seen the band can attest to the fact that the Skivies are not quite like any other band. Yeah, the Butthole Surfers comparison is obvious, especially considering that DJ Von Felt uses a device…

Dax Riggs

It took almost three years for Dax Riggs to release a proper followup to 2007’s We Sing of Only Blood or Love. Last year’s Say Goodnight to the World is an entirely louder and more menacing affair than Love — if that’s possible — echoing Roy Orbison, the Stooges, Julian…

The Civil Wars

With movie-star good looks and a knack for alternating hushed and forceful harmonies, it’s no surprise that Joy Williams and John Paul White of the Civil Wars have been playing to sold-out crowds on their cross-country tours (including this date at the Fox Theatre). The act occupies the space between…

The Meat Puppets

The Meat Puppets’ improbable gold album, Too High to Die, has a title both accurate and true. The band’s main men are brothers Cris and Curt Kirkwood, who began playing punk in the ’70s, turned hardcore in the early ’80s and landed a deal with SST Records, which was bankrolled…

Vandelay Industries

Vandelay Industries — a Fort Collins pop-punk quartet awesomely named after George Costanza’s fake business — makes no attempt at dressing up a well-worn genre with Critter. Instead, the band lets synths be pretty while drums, bass and guitar play safely within major-chord reason and Blake Hinson’s voice stays completely…

Innerstate Ike

Exemplary production on Innerstate Ike’s latest release, Moolah Music, immediately bolsters the rapper’s larger-than-life lyrics, which center on the notion of making “moolah” by perfecting the art of your hustle. With a gravelly delivery that is distinctly his own, Ike reflects on the routine of rise, grind and repeat, with…

Aaron Hart

Listening to We All Know Better, Aaron Hart’s debut EP, it’s not surprising to discover that the singer-songwriter grew up singing along to the Beach Boys. Throughout the record, Hart displays a pronounced affinity for sunny pop, particularly on piano-driven numbers like “A Little Bit Lonely.” A high point on…

Slim Cessna’s Auto Club

One of the most gripping live acts around these parts for the past two decades, Slim Cessna’s Auto Club generally kicks up dust with equal fervor on its studio recordings. With Unentitled, the followup to 2008’s Cipher, the band doesn’t steer too far from its tried-and-true formula of dark country…

Michael Trundle reflects on ten years of Lipgloss

When Michael Trundle, Tyler Jacobson and Tim Cook started Lipgloss in the summer of 2001, they had no idea that it would become something of a Denver institution. From humble beginnings as a dance night at the club 60 South (now 3 Kings Tavern) once a month on Mondays, Lipgloss…