Film, TV & Streaming

Alpert checks in again and again with the same three families over 45 years of visits to the island, with sometimes heartbreaking results

Here’s a kiddo’s quest to define a self, in this case the descent of young Miguel (voiced by Anthony Gonzalez) into a land of the dead inspired by Dia de los Muertos celebrations

Despite, or probably because of, the density of its plot, Mr. Robot is almost more enjoyable if you don’t really know what’s going on

Nalluri’s emphasis is on amateur theatrical performances, magic-lantern projections and comically competitive authors.

My Friend Dahmer, from a graphic memoir of the same name by the pseudonymous Derf Backderf, is a kind of coming-of-age tale that dissects a troubled kid’s descent into murder. Backderf was a high school pal of the boy who would grow up to become the serial killer and cannibal…

It starts off as the portrait of a troubled child, but expands to become a film about community

This is the first time a Marvel TV show has stunned me: Why in the era of binge-able continued-narrative TV series would the producers kill dead their momentum

Action scenes start and stop and then start again, then go in different directions, and it was a few moments into The Big Climactic Face-Off before I realized we’d arrived at The Big Climactic Face-Off

The movie turns on a series of revelations about the characters, whose hushed, intimate narration — split between Laura, Jamie, Ronsel, Hap and Florence — reveals rich inner lives

You’re right not to trust a film critic who calls a move stunning. But let me say this about Human Flow, the epic new documentary surveying the scope of the global refugee crisis, from Chinese artist/activist Ai Weiwei: It stunned me, in the truest sense of the word. Again and…

Maggie Betts’s Novitiate bears all the signs of an exceptional talent. It follows the experiences of Cathleen (Margaret Qualley), a teenager who enters a convent in the early 1960s just as the Catholic Church was starting to undergo the reforms of Vatican II. The title refers to the girls’ yearlong…

Set in present-day New York, the film has a classic Hollywood texture and a classic Hollywood conceit: a brilliant old man paired with a beautiful young ingenue

The 40th annual Denver Film Festival opened triumphantly on November 1 with the Colorado debut of Lady Bird, only to stumble as a result of the mediocre Big Night offering Submission and a handful of other high-profile misses. But the last full week of the fest, which concluded on Sunday night, November 12, succeeded more often than it failed.

Despite the many troubling trends in our media culture, the movies’ response to the Iraq War has been (gasp) surprisingly admirable. Since the mid-2000s, a steady stream of films have artfully addressed war’s aftermath and the homefront — from Stop-Loss and In the Valley of Elah, to Grace is Gone…

… In Three Billboards, where livid, grieving mother Mildred (Frances McDormand) taunts the local police for not solving her daughter’s rape and murder (by being burned to death) from nine months prior, McDonagh has taken on a situation that demands we take it seriously.

The Colorado Symphony, led by its ambitious new music director, Brett Mitchell, will be performing the score of Star Wars: A New Hope, alongside two fortieth anniversary screenings of the film, in March 2018.

Again this year, Denver Film Festival artistic director Brit Withey is offering his must-see picks for each day of the fest — including many flicks that movie lovers might otherwise miss amid the flood of silver-screen goodies. Today he spotlights a selection for November 10, 11 and 12: Quality Time, AlphaGo and Easy.

Despite the bright cinematography, there’s something quaint and comforting about this film and its brand of old-fashioned storytelling …

“This is one of my favorite films in the festival,” says Denver Film Festival artistic director Brit Withey about Under the Tree. “It’s an Icelandic and Danish coproduction by the same producer who made Rams, which won as our best feature film in 2015.”

Hello Again tasks its cast with impassioned miming of a panoply of sex acts, the singers conjugating each other like verbs in foreign language class

When I first saw Brett Morgen’s 2002 documentary The Kid Stays in the Picture, I was shocked that the film somehow matched the rollicking, mercurial energy of its subject, producer Robert Evans. Morgen reimagined the use of archival footage and voiceover, and the style he pioneered has now been mimicked…

One year, back in the early 1990s, an uncle of mine didn’t show up to our family Christmas. I was only 10 and didn’t understand his sudden departure and why nobody would speak of it. A year later, I was at his funeral. He was a playwright and actor in…